На фото: п-образная лестница в стиле модернизм с деревянными ступенями и перилами из смешанных материалов без подступенок

Пример оригинального дизайна: угловая лестница в морском стиле с деревянными ступенями, крашенными деревянными подступенками, перилами из смешанных материалов и кладовкой или шкафом под ней

Свежая идея для дизайна: большая угловая лестница в стиле неоклассика (современная классика) с деревянными ступенями, крашенными деревянными подступенками и деревянными перилами - отличное фото интерьера

На фото: лестница с

Идея дизайна: прямая лестница среднего размера в современном стиле с деревянными ступенями, крашенными деревянными подступенками и перилами из смешанных материалов

На фото: п-образная лестница в стиле неоклассика (современная классика) с деревянными ступенями, крашенными деревянными подступенками и деревянными перилами с

Internal - Floating Staircase Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

Пример оригинального дизайна: лестница в стиле рустика

Идея дизайна: изогнутая деревянная лестница среднего размера в стиле фьюжн с деревянными ступенями и перилами из смешанных материалов

На фото: п-образная лестница в стиле рустика с деревянными ступенями и деревянными перилами без подступенок с

Стильный дизайн: лестница в стиле кантри - последний тренд

Стильный дизайн: п-образная лестница в стиле неоклассика (современная классика) с деревянными ступенями, крашенными деревянными подступенками и перилами из смешанных материалов - последний тренд

Стильный дизайн: п-образная лестница среднего размера в стиле модернизм с деревянными ступенями, крашенными деревянными подступенками и стеклянными перилами - последний тренд

Amanda Dumouchelle Photography
Источник вдохновения для домашнего уюта: лестница в стиле кантри

Foyer features a stunning antique wood beam as the bottom stair tread, milled from a cotton mill in South Carolina. Stair treads are made with extra thick wood. Exposed wood moldings outline the ceiling and complete the feel of calmness when entering the foyer.

Свежая идея для дизайна: угловая деревянная лестница среднего размера в стиле модернизм с деревянными ступенями и металлическими перилами - отличное фото интерьера

Идея дизайна: металлическая лестница в современном стиле с деревянными ступенями и стеклянными перилами

Пример оригинального дизайна: большая угловая лестница в стиле неоклассика (современная классика) с ступенями с ковровым покрытием, ковровыми подступенками и металлическими перилами

Источник вдохновения для домашнего уюта: изогнутая лестница среднего размера в стиле неоклассика (современная классика) с ступенями с ковровым покрытием, ковровыми подступенками и деревянными перилами