Lisbon Facade - St. Tropez 16 Executive - Waterford County II, Chisholm - Display Home
Пример оригинального дизайна: большой, одноэтажный, бежевый частный загородный дом в скандинавском стиле с комбинированной облицовкой и металлической крышей

Источник вдохновения для домашнего уюта: большой, одноэтажный, деревянный, коричневый частный загородный дом в скандинавском стиле с плоской крышей и металлической крышей

Стильный дизайн: большой, двухэтажный, белый частный загородный дом в скандинавском стиле с облицовкой из цементной штукатурки, двускатной крышей, металлической крышей и черной крышей - последний тренд

Back exterior of heritage home with pool
Свежая идея для дизайна: двухэтажный, бежевый частный загородный дом среднего размера в скандинавском стиле с облицовкой из ЦСП, плоской крышей и металлической крышей - отличное фото интерьера

Свежая идея для дизайна: большой, двухэтажный, черный частный загородный дом в скандинавском стиле с комбинированной облицовкой, металлической крышей и отделкой доской с нащельником - отличное фото интерьера

На фото: двухэтажный, серый частный загородный дом среднего размера в скандинавском стиле с комбинированной облицовкой и металлической крышей с

Andre Boettcher
Стильный дизайн: маленький, одноэтажный, деревянный дом в скандинавском стиле с односкатной крышей и металлической крышей для на участке и в саду - последний тренд

Пример оригинального дизайна: маленький, двухэтажный, деревянный, коричневый частный загородный дом в скандинавском стиле с двускатной крышей и металлической крышей для на участке и в саду

Пример оригинального дизайна: двухэтажный, серый частный загородный дом в скандинавском стиле с двускатной крышей и металлической крышей

Clean simplicity and comfort are the hallmarks of this Scandinavian Modern custom home. Geometric shapes, sleek materials and straight lines are plentiful in the design, both outside and in. Tall windows allow for lots of natural light, true to its Scandinavian design roots. It’s the perfect style of home for anyone who loves a fresh, modern, and bright aesthetic. With a secondary suite, this home is perfectly suited to multigenerational living. This home is conveniently located in Currie, a vibrant master-planned community just minutes from downtown Calgary

Источник вдохновения для домашнего уюта: одноэтажный, деревянный, черный частный загородный дом среднего размера в скандинавском стиле с односкатной крышей и металлической крышей

玄関へのアプローチ
Свежая идея для дизайна: одноэтажный, белый частный загородный дом в скандинавском стиле с односкатной крышей и металлической крышей - отличное фото интерьера

ボックス型の外観の一部を凹ませてつくった、屋根付きの玄関アプローチ。外観デザインに動きが出るほか、雨風が防げて便利です。庭で遊ぶ愛犬が外へ飛び出さないよう、テラスに小さな扉を造作しました。
Источник вдохновения для домашнего уюта: одноэтажный, белый частный загородный дом в скандинавском стиле с облицовкой из цементной штукатурки, односкатной крышей, металлической крышей и серой крышей

大きな一枚の板を折り曲げて、建物全体を包み込んだような個性的な外観。包み込まれた内部は素材を変えながら前後に奥行を持たせ、単調にならないようデザインしています。大きな軒下はLDKの大きな掃き出し前に設置したウッドデッキの庇となり、強い日差しや雨風を防ぎ、心地よい外部空間を作り出しています。
Стильный дизайн: большой, двухэтажный, белый частный загородный дом в скандинавском стиле с комбинированной облицовкой, односкатной крышей, металлической крышей, черной крышей и отделкой доской с нащельником - последний тренд

Südfassade mit Terrasse (Fotograf: Marcus Ebener, Berlin)
Идея дизайна: одноэтажный, деревянный, коричневый частный загородный дом среднего размера в скандинавском стиле с двускатной крышей и металлической крышей

Front of Building
Свежая идея для дизайна: трехэтажный, коричневый таунхаус среднего размера в скандинавском стиле с комбинированной облицовкой, двускатной крышей, металлической крышей и черной крышей - отличное фото интерьера

C'est le retour en force de la maison blanche. La résidence Gilbert Poulin a tout de celle-ci: des lignes minimaliste, un décor très épuré et bien sûr l’omniprésence du blanc rappelle le style scandinave.

The Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops. The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space. The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town. The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months. Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay. Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather. In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through. The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.

I built this on my property for my aging father who has some health issues. Handicap accessibility was a factor in design. His dream has always been to try retire to a cabin in the woods. This is what he got. It is a 1 bedroom, 1 bath with a great room. It is 600 sqft of AC space. The footprint is 40' x 26' overall. The site was the former home of our pig pen. I only had to take 1 tree to make this work and I planted 3 in its place. The axis is set from root ball to root ball. The rear center is aligned with mean sunset and is visible across a wetland. The goal was to make the home feel like it was floating in the palms. The geometry had to simple and I didn't want it feeling heavy on the land so I cantilevered the structure beyond exposed foundation walls. My barn is nearby and it features old 1950's "S" corrugated metal panel walls. I used the same panel profile for my siding. I ran it vertical to math the barn, but also to balance the length of the structure and stretch the high point into the canopy, visually. The wood is all Southern Yellow Pine. This material came from clearing at the Babcock Ranch Development site. I ran it through the structure, end to end and horizontally, to create a seamless feel and to stretch the space. It worked. It feels MUCH bigger than it is. I milled the material to specific sizes in specific areas to create precise alignments. Floor starters align with base. Wall tops adjoin ceiling starters to create the illusion of a seamless board. All light fixtures, HVAC supports, cabinets, switches, outlets, are set specifically to wood joints. The front and rear porch wood has three different milling profiles so the hypotenuse on the ceilings, align with the walls, and yield an aligned deck board below. Yes, I over did it. It is spectacular in its detailing. That's the benefit of small spaces. Concrete counters and IKEA cabinets round out the conversation. For those who could not live in a tiny house, I offer the Tiny-ish House. Photos by Ryan Gamma Staging by iStage Homes Design assistance by Jimmy Thornton