Aia photography
На фото: большая лестница на больцах в современном стиле с деревянными ступенями и стеклянными перилами без подступенок с

Custom white oak quartersawn stair treads crafted from logs remove from the client's property.
Пример оригинального дизайна: лестница на больцах в стиле модернизм с деревянными ступенями и металлическими перилами

Свежая идея для дизайна: п-образная лестница в современном стиле с перилами из смешанных материалов - отличное фото интерьера

Идея дизайна: изогнутая лестница в современном стиле с стеклянными ступенями и стеклянными перилами

Стильный дизайн: большая п-образная лестница в стиле неоклассика (современная классика) с ступенями с ковровым покрытием, ковровыми подступенками и перилами из смешанных материалов - последний тренд

These stairs span over three floors and each level is cantilevered on two central spine beams; lack of risers and see-thru glass landings allow for plenty of natural light to travel throughout the open stairwell and into the adjacent open areas; 3 1/2" white oak treads and stringers were manufactured by our craftsmen under strict quality control standards, and were delivered and installed by our experienced technicians. CSC 1976-2020 © Century Stair Company LLC ® All Rights Reserved.

Swedish design firm Cortina & Käll were tasked with connecting a new 1,400-square-foot apartment to an existing 3,000-square-foot apartment in a New York City high-rise. Their goal was to give the apartment a scale and flow benefitting its new larger size. “We envisioned a light and sculptural spiral staircase at the center of it all. The staircase and its opening allowed us to achieve the desired transparency and volume, creating a dramatically new and generous apartment,” said Francisco Cortina. Read more about this project on our blog: https://www.europeancabinets.com/news/cast-curved-staircase-nyc-cortina-kall/ Photo: Tim Williams Photography

Свежая идея для дизайна: маленькая прямая бетонная лестница в современном стиле с деревянными ступенями и металлическими перилами для на участке и в саду - отличное фото интерьера

A tree staircase represented the strength needed to support the stairs, yet playful in the manner of a tree-house. To read more about this project, click here or explore other great designs on the GLMF steel stairs page.

Iron Spiral Staircase with cement inserts.
Идея дизайна: винтовая металлическая лестница среднего размера в классическом стиле с металлическими ступенями и металлическими перилами

This modern spiral deck stair with triangular platform and rail adds architectural interest and function, connecting a balcony with southern charm to a stone hardscape in this renovated home. This is a 9'-10” high 5' diameter stair with 30 degree checker plate treads, in aluminum with a powder coated finish and 4” code risers.

Custom solid wood stairs - single tread stairs, open concept living room, high ceilings, hallways, gray walls and high end finishes in Los Altos.
На фото: большая п-образная деревянная лестница в стиле модернизм с деревянными ступенями и стеклянными перилами

Realizzazione di pedana di partenza in legno con luce Led integrata
Источник вдохновения для домашнего уюта: угловая деревянная лестница среднего размера в скандинавском стиле с деревянными ступенями, деревянными перилами и обоями на стенах

Filippo Coltro - PH Andrés Borella
На фото: п-образная бетонная лестница среднего размера в стиле фьюжн с акриловыми ступенями и металлическими перилами

This exterior spiral staircase was fabricated in 1 piece. It has a double top rail, decorative pickets, 4" outer diameter center pole fastened to a concrete caisson. The finish is a copper vein exterior powder coat to be able to withstand the unpredictable Colorado weather.

American Cherry treads, newel post and railings.
На фото: прямая лестница среднего размера в стиле фьюжн с деревянными ступенями, крашенными деревянными подступенками и деревянными перилами

The Narrabeen House is located on the edge of Narrabeen Lagoon and is fortunate to have outlook across water to an untouched island dense with casuarinas. By contrast, the street context is unremarkable without the slightest hint of the lagoon beyond the houses lining the street and manages to give the impression of being deep in suburbia. The house is new and replaces a former 1970s cream brick house that functioned poorly and like many other houses from the time, did little to engage with the unique environmental qualities of the lagoon. In starting this project, we clearly wanted to re-dress the connection with the lagoon and island, but also found ourselves drawn to the suburban qualities of the street and this dramatic contrast between the front and back of the property. This led us to think about the project within the framework of the ‘suburban ideal’ - a framework that would allow the house to address the street as any other suburban house would, while inwardly pursuing the ideals of oasis and retreat where the water experience could be used to maximum impact - in effect, amplifying the current contrast between street and lagoon. From the street, the house’s composition is built around the entrance, driveway and garage like any typical suburban house however the impact of these domestic elements is diffused by melding them into a singular architectural expression and form. The broad facade combined with the floating skirt detail give the house a horizontal proportion and even though the dark timber cladding gives the building a ‘stealth’ like appearance, it still withholds the drama of the lagoon beyond. This sets up two key planning strategies. Firstly, a central courtyard is introduced as the principal organising element for the planning with all of the house’s key public spaces - living room, dining room, kitchen, study and pool - grouped around the courtyard to connect these spaces visually, and physically when the courtyard walls are opened up. The arrangement promotes a socially inclusive dynamic as well as extending the spatial opportunities of the house. The courtyard also has a significant environmental role bringing sun, light and air into the centre of the house. Secondly, the planning is composed to deliberately isolate the occupant from the suburban surrounds to heighten the sense of oasis and privateness. This process begins at the street bringing visitors through a succession of exterior spaces that gradually compress and remove the street context through a composition of fences, full height screens and thresholds. The entry sequence eventually terminates at a solid doorway where the sense of intrigue peaks. Rather than entering into a hallway, one arrives in the courtyard where the full extent of the private domain, the lagoon and island are revealed and any sense of the outside world removed. The house also has an unusual sectional arrangement driven partly by the requirement to elevate the interior 1.2m above ground level to safeguard against flooding but also by the desire to have open plan spaces with dual aspect - north for sun and south for the view. Whilst this introduces issues with the scale relationship of the house to its neighbours, it enables a more interesting multi- level relationship between interior and exterior living spaces to occur. This combination of sectional interplay with the layout of spaces in relation to the courtyard is what enables the layering of spaces to occur - it is possible to view the courtyard, living room, lagoon side deck, lagoon and island as backdrop in just one vista from the study. Flood raising 1200mm helps by introducing level changes that step and advantage the deeper views Porosity radically increases experience of exterior framed views, elevated The vistas from the key living areas and courtyard are composed to heighten the sense of connection with the lagoon and place the island as the key visual terminating feature. The materiality further develops the notion of oasis with a simple calming palette of warm natural materials that have a beneficial environmental effect while connecting the house with the natural environment of the lagoon and island.

Whole House Restoration and Addition George W. Maher, Architect - 1908 TR Knapp Architects - 2004 Thomas R. Knapp - Architect and Construction Manager

Стильный дизайн: прямая лестница в классическом стиле с крашенными деревянными подступенками и деревянными перилами - последний тренд