Custom island and plaster hood take center stage in this kitchen remodel. Full-wall wine, coffee and smoothie station on the right perimeter. Cabinets are white oak. Design by: Alison Giese Interiors

Vaulted ceilings are supported by angled windows which open up the home to light. In order to cut down on the number of installed "can" lights, pendant lights were strung across the kitchen from wall to wall to provide ambient lighting.

Стильный дизайн: угловая кухня в классическом стиле с фасадами с утопленной филенкой, белыми фасадами, серым фартуком, фартуком из плитки мозаики, техникой из нержавеющей стали, паркетным полом среднего тона, островом, коричневым полом, серой столешницей и врезной мойкой - последний тренд

Coastal contemporary finishes and furniture designed by Interior Designer and Realtor Jessica Koltun in Dallas, TX. #designingdreams
Свежая идея для дизайна: угловая кухня среднего размера в морском стиле с обеденным столом, одинарной мойкой, фасадами в стиле шейкер, светлыми деревянными фасадами, столешницей из кварцевого агломерата, серым фартуком, фартуком из керамогранитной плитки, техникой из нержавеющей стали, светлым паркетным полом, островом, коричневым полом и белой столешницей - отличное фото интерьера

Идея дизайна: п-образная кухня среднего размера в стиле неоклассика (современная классика) с с полувстраиваемой мойкой (с передним бортиком), фасадами в стиле шейкер, белыми фасадами, столешницей из кварцевого агломерата, серым фартуком, фартуком из керамической плитки, техникой из нержавеющей стали, полом из керамогранита, островом, серым полом и белой столешницей

Interior - Kitchen Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

Источник вдохновения для домашнего уюта: п-образная кухня в стиле кантри с обеденным столом, врезной мойкой, фасадами в стиле шейкер, белыми фасадами, серым фартуком, техникой из нержавеющей стали, светлым паркетным полом, островом, бежевым полом и белой столешницей

Пример оригинального дизайна: большая угловая кухня в морском стиле с обеденным столом, белыми фасадами, мраморной столешницей, разноцветным фартуком, фартуком из мрамора, паркетным полом среднего тона, островом и разноцветной столешницей

На фото: кухня среднего размера с фасадами с утопленной филенкой, гранитной столешницей, фартуком из керамогранитной плитки, островом, разноцветной столешницей, бежевыми фасадами, разноцветным фартуком, техникой из нержавеющей стали, темным паркетным полом и коричневым полом

High Ceilings and Tall Cabinetry. Water fall Counters in Marble.
Пример оригинального дизайна: большая параллельная кухня в стиле неоклассика (современная классика) с фасадами в стиле шейкер, белыми фасадами, мраморной столешницей, островом, обеденным столом, врезной мойкой, серым фартуком, фартуком из мрамора, техникой из нержавеющей стали, паркетным полом среднего тона, коричневым полом и серой столешницей

The large drawer base and overhead mantle encapsulate this 6 ring hob to create a beautiful focal point. The units at either side create balance and symmetry. The tall oven housing and integrated fridge freezer placed along one wall creates drama and boldness, yet this is balanced by the opposing window which brings light into the soft tones of this gorgeous room!

For this project, the initial inspiration for our clients came from seeing a modern industrial design featuring barnwood and metals in our showroom. Once our clients saw this, we were commissioned to completely renovate their outdated and dysfunctional kitchen and our in-house design team came up with this new this space that incorporated old world aesthetics with modern farmhouse functions and sensibilities. Now our clients have a beautiful, one-of-a-kind kitchen which is perfecting for hosting and spending time in. Modern Farm House kitchen built in Milan Italy. Imported barn wood made and set in gun metal trays mixed with chalk board finish doors and steel framed wired glass upper cabinets. Industrial meets modern farm house

Darren Setlow Photography
Пример оригинального дизайна: большая угловая кухня в стиле кантри с обеденным столом, с полувстраиваемой мойкой (с передним бортиком), фасадами в стиле шейкер, белыми фасадами, гранитной столешницей, серым фартуком, фартуком из плитки кабанчик, техникой под мебельный фасад, светлым паркетным полом, островом, разноцветной столешницей, бежевым полом, мойкой у окна и балками на потолке

Andrew Miller
Источник вдохновения для домашнего уюта: угловая кухня в стиле неоклассика (современная классика) с обеденным столом, врезной мойкой, фасадами в стиле шейкер, синими фасадами, столешницей из кварцевого агломерата, серым фартуком, фартуком из каменной плиты, техникой из нержавеющей стали, островом и красивой плиткой

Urban Farmhouse Kitchen by Rafterhouse
Идея дизайна: угловая кухня в стиле кантри с с полувстраиваемой мойкой (с передним бортиком), фасадами с утопленной филенкой, белыми фасадами, серым фартуком, техникой из нержавеющей стали, темным паркетным полом, островом и коричневым полом

Remodeled, open kitchen for a young family with counter and banquette seating
На фото: угловая, светлая кухня среднего размера в стиле неоклассика (современная классика) с фасадами в стиле шейкер, белыми фасадами, техникой под мебельный фасад, темным паркетным полом, островом, коричневым полом, столешницей из кварцевого агломерата, обеденным столом, врезной мойкой, серым фартуком, фартуком из мрамора и серой столешницей

In the center of the kitchen is a waterfall island with classic marble countertop, oversized brass geometric pendants, and blue faux leather stools with brass frames. The tile backsplash behind the oven is a geometric marble with metallic inlay which creates a glamorous patterning. Photo: David Livingston

  Free ebook, Creating the Ideal Kitchen. DOWNLOAD NOW   The homeowners of this mid-century Colonial and family of four were frustrated with the layout of their existing kitchen which was a small, narrow peninsula layout but that was adjoining a large space that they could not figure out how to use. Stealing part of the unused space seemed like an easy solution, except that there was an existing transition in floor height which made that a bit tricky. The solution of bringing the floor height up to meet the height of the existing kitchen allowed us to do just that. This solution also offered some challenges. The exterior door had to be raised which resulted in some exterior rework, and the floor transition had to happen somewhere to get out to the garage, so we ended up “pushing” it towards what is now a new mudroom and powder room area. This solution allows for a small but functional and hidden mudroom area and more private powder room situation. Another challenge of the design was the very narrow space. To minimize issues with this, we moved the location of the refrigerator into the newly found space which gave us an L-shaped layout allowing for an island and even some shallow pantry storage. The windows over the kitchen sink were expanded in size and relocated to allow more light into the room. A breakfast table fits perfectly in the area adjacent to the existing French doors and there was even room for a small bar area that helps transition from inside to outside for entertaining. The confusing unused space now makes sense and provides functionality on a daily basis. To help bring some calm to this busy family, a pallet of soft neutrals was chosen -- gray glass tile with a simple metal accent strip, clear modern pendant lights and a neutral color scheme for cabinetry and countertops. For more information on kitchen and bath design ideas go to: www.kitchenstudio-ge.com

Источник вдохновения для домашнего уюта: серо-белая кухня в стиле неоклассика (современная классика) с обеденным столом, фасадами с утопленной филенкой, белыми фасадами, серым фартуком, техникой из нержавеющей стали, темным паркетным полом, островом и мойкой у окна