Beautiful Four Bedroom, Three Bathroom West Vancouver Home Renovation Project Featuring An Open Concept Living And Kitchen Area, Office, and Laundry. The Finishes Include, Custom Shaker Cabinetry, Large Format Tile In The Ensuite Bathroom, Quartz Counter-tops and Back Splash, Hand Scraped Engineered Oak Hardwood Through Out, LED Lighting Upgrade with over 60 New Pot Lights added, and Fresh Custom Designer Paint By Benjmain Moore Through Out. West Vancouver Home Builder Goldcon Construction.

Janis Nicolay
Пример оригинального дизайна: гостиная-столовая среднего размера в современном стиле с белыми стенами, бетонным полом, горизонтальным камином, фасадом камина из бетона и серым полом

Источник вдохновения для домашнего уюта: большая гостиная-столовая в современном стиле с разноцветными стенами, бетонным полом, двусторонним камином, фасадом камина из бетона, серым полом, деревянным потолком и панелями на стенах

Construido en 1910, el piso de 158 m2 en la calle Bruc tiene todo el encanto de la época, desde los azulejos hidráulicos hasta las molduras, sin olvidar las numerosas puertas con vidrieras y los elementos de carpintería. Lo más interesante de este apartamento son los azulejos hidráulicos, que son diferentes en cada habitación. Esto nos llevó a una decoración minimalista para dar paso a los motivos muy coloridos y poderosos del suelo. Fue necesario realizar importantes obras de renovación, especialmente en la galería donde la humedad había deteriorado por completo la carpintería.

This modern home, originally used as a corner-lot butcher’s shop, is centered around a self-standing, poured concrete fireplace that greets you upon entering the property. Incorporated into the building’s design as part of the owner’s major remodeling project, this detail creates an imposing yet elegant feature within the old commercial space. The use of concrete is intentional; it speaks to the industrial character of the home, while its modeled form reflects the level of precision and refinement present throughout the home's interior. A Grand ARDA for Design Details goes to Dixon Projects Designer: Dixon Projects From: New York, New York

Пример оригинального дизайна: гостиная-столовая среднего размера в стиле неоклассика (современная классика) с серыми стенами, светлым паркетным полом, стандартным камином, фасадом камина из бетона и коричневым полом

Стильный дизайн: огромная гостиная-столовая в современном стиле с серыми стенами, паркетным полом среднего тона, стандартным камином и фасадом камина из бетона - последний тренд

Warm Modern Contemporary Dining Room with Round Table and Unique Custom Dining Chairs. Warm Wood Wet Bar with Lighted Glass Doors. Carved Natural Backsplash and Patterned Wallcovering Finish the Look. Paul Kohlman photographer.

На фото: гостиная-столовая среднего размера в восточном стиле с бежевыми стенами, темным паркетным полом, стандартным камином, фасадом камина из бетона и коричневым полом

Идея дизайна: гостиная-столовая среднего размера в стиле фьюжн с бежевыми стенами, бетонным полом, угловым камином, фасадом камина из бетона и серым полом

Пример оригинального дизайна: большая гостиная-столовая в современном стиле с белыми стенами, светлым паркетным полом, стандартным камином и фасадом камина из бетона

Ryan Ocasio Photography
Источник вдохновения для домашнего уюта: гостиная-столовая среднего размера в стиле неоклассика (современная классика) с белыми стенами, светлым паркетным полом, стандартным камином, фасадом камина из бетона и коричневым полом

The redesign of this 2400sqft condo allowed mango to stray from our usual modest home renovation and play! Our client directed us to ‘Make it AWESOME!’ and reflective of its downtown location. Ecologically, it hurt to gut a 3-year-old condo, but…… partitions, kitchen boxes, appliances, plumbing layout and toilets retained; all finishes, entry closet, partial dividing wall and lifeless fireplace demolished. Marcel Wanders’ whimsical, timeless style & my client’s Tibetan collection inspired our design & palette of black, white, yellow & brushed bronze. Marcel’s wallpaper, furniture & lighting are featured throughout, along with Patricia Arquiola’s embossed tiles and lighting by Tom Dixon and Roll&Hill. The rosewood prominent in the Shangri-La’s common areas suited our design; our local millworker used fsc rosewood veneers. Features include a rolling art piece hiding the tv, a bench nook at the front door and charcoal-stained wood walls inset with art. Ceaserstone countertops and fixtures from Watermark, Kohler & Zucchetti compliment the cabinetry. A white concrete floor provides a clean, unifying base. Ceiling drops, inset with charcoal-painted embossed tin, define areas along with rugs by East India & FLOR. In the transition space is a Solus ethanol-based firebox. Furnishings: Living Space, Inform, Mint Interiors & Provide

Dining room with walnut table and vintage re-upholstered chairs, Apparatus Studio pendant light and stained white oak wood floors.
На фото: гостиная-столовая среднего размера в морском стиле с серыми стенами, светлым паркетным полом, стандартным камином, фасадом камина из бетона и бежевым полом с

Lightweight Concrete Panels installed around see-through gas fireplace handmade by DEKKO Concrete. Available in a number of standard sizes or can be custom-built to suit your space & design. Available in 6 colors and available for shipment worldwide.

70年という月日を守り続けてきた農家住宅のリノベーション 建築当時の強靭な軸組みを活かし、新しい世代の住まい手の想いのこもったリノベーションとなった 夏は熱がこもり、冬は冷たい隙間風が入る環境から 開口部の改修、断熱工事や気密をはかり 夏は風が通り涼しく、冬は暖炉が燈り暖かい室内環境にした 空間動線は従来人寄せのための二間と奥の間を一体として家族の団欒と仲間と過ごせる動線とした 北側の薄暗く奥まったダイニングキッチンが明るく開放的な造りとなった

Jules Selmes
Пример оригинального дизайна: большая гостиная-столовая в современном стиле с серыми стенами, мраморным полом, двусторонним камином и фасадом камина из бетона

The Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops. The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space. The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town. The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months. Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay. Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather. In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through. The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.

Свежая идея для дизайна: большая гостиная-столовая в морском стиле с белыми стенами, полом из керамической плитки, стандартным камином, фасадом камина из бетона, бежевым полом, кессонным потолком и деревянными стенами - отличное фото интерьера