The original house was demolished to make way for a two-story house on the sloping lot, with an accessory dwelling unit below. The upper level of the house, at street level, has three bedrooms, a kitchen and living room. The “great room” opens onto an ocean-view deck through two large pocket doors. The master bedroom can look through the living room to the same view. The owners, acting as their own interior designers, incorporated lots of color with wallpaper accent walls in each bedroom, and brilliant tiles in the bathrooms, kitchen, and at the fireplace tiles in the bathrooms, kitchen, and at the fireplace. Architect: Thompson Naylor Architects Photographs: Jim Bartsch Photographer

Winner of a NYC Landmarks Conservancy Award for historic preservation, the George B. and Susan Elkins house, dating to approximately 1852, was painstakingly restored, enlarged and modernized in 2019. This building, the oldest remaining house in Crown Heights, Brooklyn, has been recognized by the NYC Landmarks Commission as an Individual Landmark and is on the National Register of Historic Places. The house was essentially a ruin prior to the renovation. Interiors had been gutted, there were gaping holes in the roof and the exterior was badly damaged and covered with layers of non-historic siding. The exterior was completely restored to historically-accurate condition and the extensions at the sides were designed to be distinctly modern but deferential to the historic facade. The new interiors are thoroughly modern and many of the finishes utilize materials reclaimed during demolition.

What had been a tiny master bath was transformed into a spacious master bath with freestanding tub
На фото: главная ванная комната среднего размера в стиле модернизм с плоскими фасадами, темными деревянными фасадами, отдельно стоящей ванной, душем без бортиков, биде, черно-белой плиткой, керамогранитной плиткой, полом из керамогранита, врезной раковиной, столешницей из искусственного кварца, серым полом, душем с распашными дверями, белой столешницей, тумбой под две раковины и подвесной тумбой

Stanislas Ledoux © 2019 Houzz
Источник вдохновения для домашнего уюта: ванная комната в современном стиле с темными деревянными фасадами, белыми стенами, бетонным полом, столешницей из дерева, серым полом, коричневой столешницей и плоскими фасадами

Traditional styling in this long bathroom with a walk in shower area
На фото: большая главная ванная комната в классическом стиле с фасадами в стиле шейкер, темными деревянными фасадами, отдельно стоящей ванной, открытым душем, раздельным унитазом, зеленой плиткой, керамической плиткой, серыми стенами, полом из керамогранита, настольной раковиной, стеклянной столешницей, открытым душем и зеленой столешницей

Ensuite, Ensuite Renovation, Small Ensuite Renovation, Small Bathroom Renovation, Frameless Screen, Wall Hung Vanity, Rounded Mirror, Wood Grain Vanity, Vessel Basin, Back To Wall Toilet, Rimless Toilet, Matt Bathroom Tiles, 600mm x 600mm Tiles, Shelley Bathroom Renovations, On the Ball Bathrooms, Matte Black Tapware

This small bathroom is much more functional with the removal of the tub and addition of a separate vanity, larger shower and barn door addition with added niche in wall for additional storage

Internal - Bathroom Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

Photo by Christopher Stark.
Пример оригинального дизайна: ванная комната в стиле неоклассика (современная классика) с темными деревянными фасадами, ванной на ножках, синей плиткой, белой плиткой, белыми стенами, паркетным полом среднего тона, накладной раковиной, столешницей из дерева, коричневым полом, коричневой столешницей, зеркалом с подсветкой и плоскими фасадами

На фото: главная ванная комната среднего размера в стиле кантри с темными деревянными фасадами, отдельно стоящей ванной, душем без бортиков, белой плиткой, плиткой кабанчик, белыми стенами, светлым паркетным полом, врезной раковиной, бежевым полом, открытым душем, черной столешницей и плоскими фасадами

Свежая идея для дизайна: ванная комната среднего размера в стиле неоклассика (современная классика) с темными деревянными фасадами, раздельным унитазом, синей плиткой, стеклянной плиткой, серыми стенами, полом из керамогранита, душевой кабиной, настольной раковиной, серым полом, белой столешницей и плоскими фасадами - отличное фото интерьера

Calacatta marble ascends from the Master Bath countertops to frame mirrors on His & Her vanities. Wallpaper on the wall adds texture and acoustic control to the space, which has a lot of hard surfaces (stone, glass and marble) that must be addressed audibly. .

Cynthia Lynn
Свежая идея для дизайна: ванная комната среднего размера в стиле неоклассика (современная классика) с плоскими фасадами, темными деревянными фасадами, душем в нише, раздельным унитазом, серой плиткой, белой плиткой, керамической плиткой, разноцветными стенами, мраморным полом, душевой кабиной, врезной раковиной, столешницей из кварцита, белым полом и душем с распашными дверями - отличное фото интерьера

Eric Hausman
На фото: главная ванная комната среднего размера в современном стиле с плоскими фасадами, темными деревянными фасадами, ванной в нише, душем в нише, раздельным унитазом, бежевой плиткой, плиткой из известняка, бежевыми стенами, врезной раковиной, столешницей из искусственного камня, бежевым полом и открытым душем

Paint by Sherwin Williams Body Color - Agreeable Gray - SW 7029 Trim Color - Dover White - SW 6385 Media Room Wall Color - Accessible Beige - SW 7036 Floor & Wall Tile by Macadam Floor & Design Tile Countertops & Tub Walls by Florida Tile Tile Product Sequence in Breeze (in Drift on floor) Shower Wall Accent & Niche Tile by Tierra Sol Tile Product - Driftwood in Muretto Brown Mosaic Sinks by Decolav Sink Faucet by Delta Faucet Windows by Milgard Windows & Doors Window Product Style Line® Series Window Supplier Troyco - Window & Door Window Treatments by Budget Blinds Lighting by Destination Lighting Fixtures by Crystorama Lighting Interior Design by Creative Interiors & Design Custom Cabinetry & Storage by Northwood Cabinets Customized & Built by Cascade West Development Photography by ExposioHDR Portland Original Plans by Alan Mascord Design Associates

A dark-stained vanity is always a classic look and matches the mirror's frame finish.
Источник вдохновения для домашнего уюта: маленькая ванная комната в классическом стиле с темными деревянными фасадами, душем над ванной, белой плиткой, плиткой кабанчик, белыми стенами, полом из керамической плитки, шторкой для ванной, фасадами с выступающей филенкой и напольной тумбой для на участке и в саду

На фото: главная ванная комната в стиле кантри с плоскими фасадами, темными деревянными фасадами, отдельно стоящей ванной, душевой комнатой, черно-белой плиткой, полом из галечной плитки, врезной раковиной и бежевым полом

Пример оригинального дизайна: маленькая ванная комната в классическом стиле с темными деревянными фасадами, ванной в нише, раздельным унитазом, белой плиткой, керамогранитной плиткой, синими стенами, полом из керамогранита, монолитной раковиной и серым полом для на участке и в саду

Свежая идея для дизайна: главная ванная комната в классическом стиле с темными деревянными фасадами, отдельно стоящей ванной, серыми стенами, белым полом, зеркалом с подсветкой и фасадами с утопленной филенкой - отличное фото интерьера