Свежая идея для дизайна: параллельная кухня среднего размера в стиле неоклассика (современная классика) с обеденным столом, полуостровом, с полувстраиваемой мойкой (с передним бортиком), фасадами с утопленной филенкой, серыми фасадами, столешницей из акрилового камня, белым фартуком, фартуком из керамической плитки, техникой из нержавеющей стали и паркетным полом среднего тона - отличное фото интерьера

European charm meets a fully modern and super functional kitchen. This beautiful light and airy setting is perfect for cooking and entertaining. Wood beams and dark floors compliment the oversized island with farmhouse sink. Custom cabinetry is designed specifically with the cook in mind, featuring great storage and amazing extras. James Kruger, Landmark Photography & Design, LLP. Learn more about our showroom and kitchen and bath design: http://www.mingleteam.com

Matt Steeves Studio
Пример оригинального дизайна: огромная серо-белая кухня в стиле неоклассика (современная классика) с врезной мойкой, фасадами с утопленной филенкой, серыми фасадами, серым фартуком, фартуком из плитки мозаики, техникой из нержавеющей стали, паркетным полом среднего тона и двумя и более островами

Starr Homes, LLC
Свежая идея для дизайна: кухня в стиле рустика с с полувстраиваемой мойкой (с передним бортиком), фасадами в стиле шейкер, темными деревянными фасадами, бежевым фартуком, фартуком из плитки кабанчик, темным паркетным полом и островом - отличное фото интерьера

Свежая идея для дизайна: кухня в стиле неоклассика (современная классика) с обеденным столом, фасадами с декоративным кантом, серыми фасадами, белым фартуком, техникой из нержавеющей стали, темным паркетным полом и островом - отличное фото интерьера

Interior Design by Martha O'Hara Interiors; Build by REFINED, LLC; Photography by Troy Thies Photography; Styling by Shannon Gale
Пример оригинального дизайна: кухня в морском стиле с обеденным столом, фасадами в стиле шейкер, серыми фасадами и техникой из нержавеющей стали

На фото: параллельная кухня в стиле неоклассика (современная классика) с с полувстраиваемой мойкой (с передним бортиком), фасадами в стиле шейкер, серыми фасадами, белым фартуком, техникой из нержавеющей стали, светлым паркетным полом, островом, бежевым полом и белой столешницей

This 1920 Craftsman home was remodeled in the early 80’s where a large family room was added off the back of the home. This remodel utilized the existing back porch as part of the kitchen. The 1980’s remodel created two issues that were addressed in the current kitchen remodel: 1. The new family room (with 15’ ceilings) added a very contemporary feel to the home. As one walked from the dining room (complete with the original stained glass and built-ins with leaded glass fronts) through the kitchen, into the family room, one felt as if they were walking into an entirely different home. 2. The ceiling height change in the enlarged kitchen created an eyesore. The designer addressed these 2 issues by creating a galley kitchen utilizing a mid-tone glazed finish on alder over an updated version of a shaker door. This door had wider styles and rails and a deep bevel framing the inset panel, thus incorporating the traditional look of the shaker door in a more contemporary setting. By having the crown molding stained with an espresso finish, the eye is drawn across the room rather than up, minimizing the different ceiling heights. The back of the bar (viewed from the dining room) further incorporates the same espresso finish as an accent to create a paneled effect (Photo #1). The designer specified an oiled natural maple butcher block as the counter for the eating bar. The lighting over the bar, from Rejuvenation Lighting, is a traditional shaker style, but finished in antique copper creating a new twist on an old theme. To complete the traditional feel, the designer specified a porcelain farm sink with a traditional style bridge faucet with porcelain lever handles. For additional storage, a custom tall cabinet in a denim-blue washed finish was designed to store dishes and pantry items (Photo #2). Since the homeowners are avid cooks, the counters along the wall at the cook top were made 30” deep. The counter on the right of the cook top is maple butcher block; the remainder of the countertops are Silver and Gold Granite. Recycling is very important to the homeowner, so the designer incorporated an insulated copper door in the backsplash to the right of the ovens, which allows the homeowner to put all recycling in a covered exterior location (Photo #3). The 4 X 8” slate subway tile is a modern play on a traditional theme found in Craftsman homes (Photo #4). The new kitchen fits perfectly as a traditional transition when viewed from the dining, and as a contemporary transition when viewed from the family room.

We designed a custom hutch which has a multitude of storage options and functionality – open display shelves, roll-outs, drawers, extra counter/serving space, as well as a beverage fridge and appliance garage/coffee center. On the opposite side of the kitchen, we replaced a small pantry closet with a furniture style built-in that took advantage of underutilized space. Anticipating issues with supply chain, we opted to use a local cabinet maker on this project which allowed us to fully customize the cabinets for optimal functionality.

Стильный дизайн: угловая кухня-гостиная в стиле кантри с врезной мойкой, фасадами в стиле шейкер, темными деревянными фасадами, белым фартуком, техникой из нержавеющей стали, светлым паркетным полом, островом, бежевым полом и белой столешницей - последний тренд

Drawing design inspiration from the gorgeous gray stained cabinetry, we designed the rest of the home to reflect the industrial modern farmhouse vibe that came from these materials and finishes.

An oversize island in walnut/sap wood holds its own in this large space. Imperial Danby marble is the countertop and backsplash. The stainless Sub Zero Pro fridge brings an exciting industrial note.

Идея дизайна: кухня в классическом стиле с фасадами с выступающей филенкой и серыми фасадами

Interior - Kitchen Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

Scott DuBose Photography
Идея дизайна: п-образная кухня среднего размера в стиле неоклассика (современная классика) с столешницей из кварцевого агломерата, белым фартуком, техникой из нержавеющей стали, паркетным полом среднего тона, коричневым полом, белой столешницей, двойной мойкой, фасадами в стиле шейкер и серыми фасадами без острова

This photo: For a couple's house in Paradise Valley, architect C.P. Drewett created a sleek modern kitchen with Caesarstone counters and tile backsplashes from Art Stone LLC. Porcelain-tile floors from Villagio Tile & Stone provide contrast to the dark-stained vertical-grain white-oak cabinetry fabricated by Reliance Custom Cabinets. Positioned near the base of iconic Camelback Mountain, “Outside In” is a modernist home celebrating the love of outdoor living Arizonans crave. The design inspiration was honoring early territorial architecture while applying modernist design principles. Dressed with undulating negra cantera stone, the massing elements of “Outside In” bring an artistic stature to the project’s design hierarchy. This home boasts a first (never seen before feature) — a re-entrant pocketing door which unveils virtually the entire home’s living space to the exterior pool and view terrace. A timeless chocolate and white palette makes this home both elegant and refined. Oriented south, the spectacular interior natural light illuminates what promises to become another timeless piece of architecture for the Paradise Valley landscape. Project Details | Outside In Architect: CP Drewett, AIA, NCARB, Drewett Works Builder: Bedbrock Developers Interior Designer: Ownby Design Photographer: Werner Segarra Publications: Luxe Interiors & Design, Jan/Feb 2018, "Outside In: Optimized for Entertaining, a Paradise Valley Home Connects with its Desert Surrounds" Awards: Gold Nugget Awards - 2018 Award of Merit – Best Indoor/Outdoor Lifestyle for a Home – Custom The Nationals - 2017 Silver Award -- Best Architectural Design of a One of a Kind Home - Custom or Spec http://www.drewettworks.com/outside-in/

На фото: угловая кухня среднего размера в стиле кантри с обеденным столом, с полувстраиваемой мойкой (с передним бортиком), столешницей из кварцевого агломерата, белым фартуком, техникой из нержавеющей стали, полом из керамогранита, фасадами в стиле шейкер, серыми фасадами, полуостровом и окном

This whole house remodel integrated the kitchen with the dining room, entertainment center, living room and a walk in pantry. We remodeled a guest bathroom, and added a drop zone in the front hallway dining.

Alyssa Kirsten
Источник вдохновения для домашнего уюта: маленькая п-образная, серо-белая кухня-гостиная в современном стиле с врезной мойкой, плоскими фасадами, серыми фасадами, столешницей из кварцевого агломерата, белым фартуком, фартуком из каменной плитки, техникой из нержавеющей стали, светлым паркетным полом и двухцветным гарнитуром без острова для на участке и в саду