Interior - Living Room and Dining Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

Пример оригинального дизайна: открытая гостиная комната в стиле неоклассика (современная классика) с серыми стенами, светлым паркетным полом, стандартным камином, фасадом камина из камня и телевизором на стене

Cynthia Lynn
Свежая идея для дизайна: большая гостиная комната в стиле неоклассика (современная классика) с серыми стенами, темным паркетным полом и коричневым полом без камина - отличное фото интерьера

На фото: большая открытая гостиная комната в современном стиле с серыми стенами, светлым паркетным полом, горизонтальным камином, фасадом камина из камня, телевизором на стене и серым полом с

На фото: большая гостиная комната в стиле модернизм с серыми стенами, светлым паркетным полом и телевизором на стене без камина

Mark Lohman
На фото: парадная, изолированная гостиная комната среднего размера в стиле кантри с желтыми стенами, паркетным полом среднего тона, стандартным камином, фасадом камина из камня и коричневым полом без телевизора с

For this house renovation in Sussex the owners wanted to create a simple timeless and elegant interior. With a palette of muted tones and the utilisation of a small number of key furniture pieces the interior is luxurious yet understated. The use of wider herringbone brings an up-to-date version of a classic floor. Prime oak engineered herringbone block in larger format was used throughout the open living space. The blocks were installed and finished in situ.

Идея дизайна: гостиная комната в классическом стиле с серыми стенами, темным паркетным полом, коричневым полом и ковром на полу

Chris Snook
На фото: парадная гостиная комната:: освещение в классическом стиле с серыми стенами, фасадом камина из камня, паркетным полом среднего тона, стандартным камином и коричневым полом без телевизора

family room with custom TV media wall with lacquered cabinets
Свежая идея для дизайна: маленькая открытая гостиная комната в морском стиле с серыми стенами, полом из керамогранита, мультимедийным центром, серым полом и ковром на полу для на участке и в саду - отличное фото интерьера

Стильный дизайн: парадная, изолированная гостиная комната в стиле неоклассика (современная классика) с серыми стенами, темным паркетным полом, стандартным камином и фасадом камина из камня без телевизора - последний тренд

Jim Westphalen
Пример оригинального дизайна: большая открытая гостиная комната в стиле модернизм с серыми стенами, паркетным полом среднего тона, стандартным камином, фасадом камина из штукатурки и коричневым полом без телевизора

На фото: большая открытая гостиная комната:: освещение в стиле кантри с серыми стенами, паркетным полом среднего тона, стандартным камином, фасадом камина из металла, телевизором на стене и коричневым полом с

Дизайнер - Оксана Бутман Архитектор - Наталья Анахина Фотограф - Сергей Красюк
Свежая идея для дизайна: парадная, открытая гостиная комната среднего размера в стиле неоклассика (современная классика) с серыми стенами, паркетным полом среднего тона, коричневым полом и телевизором на стене - отличное фото интерьера

The great room features a craftsman inspired fireplace with corbel brackets supporting a thick mantle. Crisp white paint sets off the trim details from the dark of the hardwood floors and the gas log firebox. Rounding out the traditional/contemporary style is a subtly textured, glazed brick fireplace surround. [Photography by Jessica I. Miller]

Photography by Michael J. Lee
На фото: гостиная комната среднего размера в стиле неоклассика (современная классика) с ковровым покрытием, серыми стенами и серым полом с

На фото: открытая гостиная комната:: освещение в современном стиле с серыми стенами, телевизором на стене и горизонтальным камином с

Aliza Schlabach Photography
Стильный дизайн: большая изолированная гостиная комната:: освещение в стиле неоклассика (современная классика) с серыми стенами, светлым паркетным полом и стандартным камином - последний тренд

Источник вдохновения для домашнего уюта: парадная гостиная комната среднего размера:: освещение в стиле неоклассика (современная классика) с серыми стенами, стандартным камином, фасадом камина из плитки и серым полом