На фото: большой прямой домашний бар в классическом стиле с врезной мойкой, фасадами с утопленной филенкой, темными деревянными фасадами, темным паркетным полом, коричневым полом, барной стойкой, мраморной столешницей и белой столешницей

Michael Lee
Идея дизайна: маленький прямой домашний бар в стиле неоклассика (современная классика) с мойкой, врезной мойкой, плоскими фасадами, темными деревянными фасадами, черным фартуком, темным паркетным полом, коричневым полом, столешницей из талькохлорита и зеркальным фартуком для на участке и в саду

Стильный дизайн: параллельный домашний бар среднего размера в стиле неоклассика (современная классика) с барной стойкой, врезной мойкой, стеклянными фасадами, темными деревянными фасадами, гранитной столешницей, разноцветным фартуком, фартуком из каменной плиты и полом из керамогранита - последний тренд

What once was a great room lacking purpose and meaning is now a redefined environment fit for fun conversation and entertaining. With a blank canvas, a single piece of art was used to serve as the inspirational driver for this bar design. A wall bump-out was incorporated to anchor the entire bar within the massive great room. Symmetrical balance was formed by use of mirrored open shelves flanking the central piece of artwork. Layers of subtle wall textures from the mother of pearl wallcovering to the washed porcelain tile offer dimension. The rich wooden tones of the millwork highlight the touch of ornamentation and not only contrast against the translucent appearance of the natural quartzite counter but ground the overall design amongst the existing travertine floor. To further compliment the lustrous tones from the art piece, hints of brass and gold are seen in the pendants, bar stool bases and the metal detail intersecting the wall shelves. A deep sage accent wall is introduced to further accentuate the space and create a moodier vibe. Sophistication paired with intriguing elements breathe new life into this transformed great room space.

Photo credit Stylish Productions Tile selection by Splendor Styling
Стильный дизайн: маленький прямой домашний бар в стиле неоклассика (современная классика) с врезной мойкой, фасадами с утопленной филенкой, темными деревянными фасадами, мраморной столешницей, разноцветным фартуком, фартуком из металлической плитки, светлым паркетным полом и белой столешницей без мойки для на участке и в саду - последний тренд

Custom Bar built into staircase. Custom metal railing.
Пример оригинального дизайна: маленький параллельный домашний бар в стиле рустика с барной стойкой, фасадами в стиле шейкер, темными деревянными фасадами, гранитной столешницей, черным фартуком, фартуком из гранита, паркетным полом среднего тона, коричневым полом и черной столешницей для на участке и в саду

Lower level wet bar features open metal shelving. Backsplash field tile is AKDO GL1815-0312CO 3" x 12" in dove gray installed in a vertical stacked pattern.

Стильный дизайн: большой прямой домашний бар в современном стиле с мойкой, монолитной мойкой, плоскими фасадами, темными деревянными фасадами, коричневым фартуком, фартуком из дерева, бежевым полом и черной столешницей - последний тренд

Photo Credit - David Bader
Стильный дизайн: прямой домашний бар в классическом стиле с мойкой, врезной мойкой, фасадами с утопленной филенкой, темными деревянными фасадами, фартуком из дерева, коричневой столешницей и полом из винила - последний тренд

На фото: домашний бар в стиле рустика с барной стойкой, открытыми фасадами, темными деревянными фасадами, светлым паркетным полом и серой столешницей

Interior - Games room and Snooker room with Home Bar Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

Стильный дизайн: прямой домашний бар среднего размера с стеклянными фасадами, темными деревянными фасадами, гранитной столешницей и черной столешницей - последний тренд

This classic contemporary home bar we installed is timeless and beautiful with the brass inlay detailing inside the shaker panel.
Идея дизайна: большой параллельный домашний бар в стиле неоклассика (современная классика) с деревянной столешницей, темным паркетным полом, серым полом, серой столешницей, барной стойкой, стеклянными фасадами и темными деревянными фасадами

Источник вдохновения для домашнего уюта: п-образный домашний бар среднего размера в стиле модернизм с мойкой, врезной мойкой, стеклянными фасадами, темными деревянными фасадами, столешницей из кварцевого агломерата, разноцветным фартуком, фартуком из каменной плиты и серой столешницей

Стильный дизайн: домашний бар в средиземноморском стиле с барной стойкой, темными деревянными фасадами, зеркальным фартуком, бежевым полом и коричневой столешницей - последний тренд

Jay Sinclair
Идея дизайна: прямой домашний бар среднего размера в классическом стиле с мойкой, врезной мойкой, фасадами с утопленной филенкой, искусственно-состаренными фасадами, мраморной столешницей, серым фартуком, фартуком из мрамора, светлым паркетным полом, коричневым полом и серой столешницей

Inspiro 8 Studios
Стильный дизайн: п-образный домашний бар в стиле неоклассика (современная классика) с темными деревянными фасадами, столешницей из кварцита, фартуком из кирпича, барной стойкой, фасадами с утопленной филенкой, красным фартуком, темным паркетным полом, коричневым полом и серой столешницей - последний тренд

Custom bar in library. A mix of solid walnut and botticino classico marble. With integrated cabinet pulls and lighting under stone shelves. Photos by Nicole Franzen

This jewel bar is tacked into an alcove with very little space. Wood ceiling details play on the drywall soffit layouts and make the bar look like it simply belongs there. Various design decisions were made in order to make this little bar feel larger and allow to maximize storage. For example, there is no hanging pendants over the illuminated onyx front and the front of the bar was designed with horizontal slats and uplifting illuminated onyx slabs to keep the area open and airy. Storage is completely maximized in this little space and includes full height refrigerated wine storage with more wine storage directly above inside the cabinet. The mirrored backsplash and upper cabinets are tacked away and provide additional liquor storage beyond, but also reflect the are directly in front to offer illusion of more space. As you turn around the corner, there is a cabinet with a linear sink against the wall which not only has an obvious function, but was selected to double as a built in ice through for cooling your favorite drinks. And of course, you must have drawer storage at your bar for napkins, bar tool set, and other bar essentials. These drawers are cleverly incorporated into the design of the illuminated onyx cube on the right side of the bar without affecting the look of the illuminated part. Considering the footprint of about 55 SF, this is the best use of space incorporating everything you would possibly need in a bar… and it looks incredible! Photography: Craig Denis