Control theater music, projector, audio, DVD, HDTV and lighting with a tabletop touchscreen with hard buttons
Источник вдохновения для домашнего уюта: прямой домашний бар среднего размера в классическом стиле с барной стойкой, врезной мойкой, гранитной столешницей, коричневым фартуком и фартуком из дерева

Entre Nous Design
Идея дизайна: п-образный домашний бар среднего размера в стиле кантри с барной стойкой, врезной мойкой, фасадами с выступающей филенкой, темными деревянными фасадами, столешницей из бетона, коричневым фартуком, фартуком из дерева и кирпичным полом

Стильный дизайн: параллельный домашний бар среднего размера в стиле неоклассика (современная классика) с барной стойкой, врезной мойкой, стеклянными фасадами, темными деревянными фасадами, гранитной столешницей, разноцветным фартуком, фартуком из каменной плиты и полом из керамогранита - последний тренд

Свежая идея для дизайна: прямой домашний бар в стиле неоклассика (современная классика) с мойкой, врезной мойкой, плоскими фасадами, фасадами цвета дерева среднего тона, столешницей из кварцита, белым фартуком, фартуком из каменной плиты и белой столешницей - отличное фото интерьера

Interior - Games room and Snooker room with Home Bar Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

Источник вдохновения для домашнего уюта: п-образный домашний бар среднего размера в стиле модернизм с мойкой, врезной мойкой, стеклянными фасадами, темными деревянными фасадами, столешницей из кварцевого агломерата, разноцветным фартуком, фартуком из каменной плиты и серой столешницей

Photo by Allen Russ, Hoachlander Davis Photography
На фото: маленький прямой домашний бар в стиле неоклассика (современная классика) с барной стойкой, врезной мойкой, фасадами в стиле шейкер, темными деревянными фасадами, гранитной столешницей, коричневым фартуком, фартуком из дерева, полом из керамогранита и разноцветным полом для на участке и в саду

When United Marble Fabricators was hired by builders Adams & Beasley Associates to furnish, fabricate, and install all of the stone and tile in this unique two-story penthouse within the Four Seasons in Boston’s Back Bay, the immediate focus of nearly all parties involved was more on the stunning views of Boston Common than of the stone and tile surfaces that would eventually adorn the kitchen and bathrooms. That entire focus, however, would quickly shift to the meticulously designed first floor wet bar nestled into the corner of the two-story living room. Lewis Interiors and Adams & Beasley Associates designed a wet bar that would attract attention, specifying ¾ inch Honey Onyx for the bar countertop and full-height backsplash. LED panels would be installed behind the backsplash to illuminate the entire surface without creating any “hot spots” traditionally associated with backlighting of natural stone. As the design process evolved, it was decided that the originally specified glass shelves with wood nosing would be replaced with PPG Starphire ultra-clear glass that was to be rabbeted into the ¾ inch onyx backsplash so that the floating shelves would appear to be glowing as they floated, uninterrupted by moldings of any other materials. The team first crafted and installed the backsplash, which was fabricated from shop drawings, delivered to the 15th floor by elevator, and installed prior to any base cabinetry. The countertops were fabricated with a 2 inch mitered edge with an eased edge profile, and a 4 inch backsplash was installed to meet the illuminated full-height backsplash. The spirit of collaboration was alive and well on this project as the skilled fabricators and installers of both stone and millwork worked interdependently with the singular goal of a striking wet bar that would captivate any and all guests of this stunning penthouse unit and rival the sweeping views of Boston Common

Источник вдохновения для домашнего уюта: маленький прямой домашний бар в современном стиле с мойкой, врезной мойкой, плоскими фасадами, серыми фасадами, столешницей из кварцевого агломерата, белым фартуком, фартуком из каменной плиты и темным паркетным полом для на участке и в саду

Идея дизайна: п-образный домашний бар в современном стиле с фартуком из дерева

The small, yet statement-making bar is located in a great area: between the living room and around the corner from the kitchen. This way, you won't miss a segment of your favorite TV show or sports team playing. The large drawers keep cups and utensils out of site until they're ready to use. The open shelving can display more interesting accessories or your favorite drinks. And the small sink ensures your dishes are clean and ready for the next get-together.

Свежая идея для дизайна: большой п-образный домашний бар в средиземноморском стиле с барной стойкой, стеклянными фасадами, фасадами цвета дерева среднего тона, мраморной столешницей, коричневым фартуком, фартуком из дерева и паркетным полом среднего тона - отличное фото интерьера

На фото: большой угловой домашний бар в стиле кантри с барной стойкой, врезной мойкой, фасадами с утопленной филенкой, фасадами цвета дерева среднего тона, деревянной столешницей, коричневым фартуком, фартуком из дерева и паркетным полом среднего тона с

Kitchenette
Стильный дизайн: маленький прямой домашний бар в стиле кантри с мойкой, врезной мойкой, фасадами в стиле шейкер, светлыми деревянными фасадами, столешницей из талькохлорита, черным фартуком, фартуком из каменной плиты, светлым паркетным полом, бежевым полом и черной столешницей для на участке и в саду - последний тренд

Пример оригинального дизайна: прямой домашний бар среднего размера в современном стиле с плоскими фасадами, черными фасадами, деревянной столешницей, бежевым фартуком, фартуком из дерева, полом из керамической плитки, серым полом и бежевой столешницей без мойки, раковины

Стильный дизайн: большой п-образный домашний бар в классическом стиле с темным паркетным полом, коричневым полом, барной стойкой, врезной мойкой, стеклянными фасадами, черными фасадами, мраморной столешницей, черным фартуком, фартуком из каменной плиты и черной столешницей - последний тренд

На фото: маленький параллельный домашний бар в стиле модернизм с мойкой, врезной мойкой, фасадами в стиле шейкер, светлыми деревянными фасадами, столешницей из кварцевого агломерата, белым фартуком, фартуком из каменной плиты и белой столешницей для на участке и в саду с

На фото: параллельный домашний бар среднего размера в современном стиле с барной стойкой, плоскими фасадами, коричневыми фасадами, столешницей из кварцевого агломерата, разноцветным фартуком, фартуком из каменной плиты, полом из винила, серым полом и коричневой столешницей без раковины

Built by: Ruben Alamillo ruby2sday52@gmail.com 951.941.8304 This bar features a wine refrigerator at each end and doors applied to match the cabinet doors. Materials used for this project are a 36”x 12’ Parota live edge slab for the countertop, paint grade plywood for the cabinets, and 1/2” x 2” x 12” wood planks that were painted & textured for the wall background. The shelves and decor provided by the designer.