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The two STEN layered glass coffee tables explore the idea of natural form created with industrial technology. The tables use glass lamination to create layers of shaped, low-iron Starphire glass, which are then cut with an industrial water jet. Similarly, the steel bases are also water jet-cut, and present a contrasting pattern that is seen through the glass top. The glass is layered with varying thickness of clear and satin-etch pieces, achieving an overall edge thickness from 3/4” to 1-1/4”. The forms are inspired by the shape of large rocks and boulders, but the translation into glass creates something new: “glass rock,” without mass or density. The glass reflects light and becomes non-material. When light strikes the surface of glass, it is almost as if glass becomes light itself.
Photo by Benjamin Benschneider
Photo by Benjamin Benschneider
STEN Glass table
The two STEN layered glass coffee tables explore the idea of natural form created with industrial technology. The tables use glass lamination to create layers of shaped, low-iron Starphire glass, which are then cut with an industrial water jet. Similarly, the steel bases are also water jet-cut, and present a contrasting pattern that is seen through the glass top. The glass is layered with varying thickness of clear and satin-etch pieces, achieving an overall edge thickness from 3/4” to 1-1/4”. The forms are inspired by the shape of large rocks and boulders, but the translation into glass creates something new: “glass rock,” without mass or density. The glass reflects light and becomes non-material. When light strikes the surface of glass, it is almost as if glass becomes light itself.
Photo by Benjamin Benschneider
Photo by Benjamin Benschneider
- Описание товара
- Характеристики товара
- Доставка и возврат
The two STEN layered glass coffee tables explore the idea of natural form created with industrial technology. The tables use glass lamination to create layers of shaped, low-iron Starphire glass, which are then cut with an industrial water jet. Similarly, the steel bases are also water jet-cut, and present a contrasting pattern that is seen through the glass top. The glass is layered with varying thickness of clear and satin-etch pieces, achieving an overall edge thickness from 3/4” to 1-1/4”. The forms are inspired by the shape of large rocks and boulders, but the translation into glass creates something new: “glass rock,” without mass or density. The glass reflects light and becomes non-material. When light strikes the surface of glass, it is almost as if glass becomes light itself.
Photo by Benjamin Benschneider
Photo by Benjamin Benschneider
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