Столовая
Идея дизайна: большая столовая в морском стиле

Кухня Lottoccento, стол Cattelan Italia, стлуья GUBI
Свежая идея для дизайна: столовая в стиле рустика с бежевыми стенами, полом из керамогранита, серым полом, балками на потолке и деревянными стенами - отличное фото интерьера

Идея дизайна: большая гостиная-столовая в современном стиле с полом из керамогранита, белым полом и деревянным потолком

На фото: гостиная-столовая среднего размера в современном стиле с

Апартаменты в доме начала ХХ века. Доступны для аренды на сайте frankporter.ru Classic interior in early 20th century building.
На фото: большая столовая в классическом стиле

Свежая идея для дизайна: большая столовая в современном стиле с белыми стенами, паркетным полом среднего тона и коричневым полом - отличное фото интерьера

Кухня-гостиная. Обеденный стол, Unika Moblar. На кухонном фартуке мрамор Амазония.
На фото: большая столовая в современном стиле с

Lincoln Barbour
Источник вдохновения для домашнего уюта: гостиная-столовая среднего размера в стиле ретро с бетонным полом и разноцветным полом

This Australian-inspired new construction was a successful collaboration between homeowner, architect, designer and builder. The home features a Henrybuilt kitchen, butler's pantry, private home office, guest suite, master suite, entry foyer with concealed entrances to the powder bathroom and coat closet, hidden play loft, and full front and back landscaping with swimming pool and pool house/ADU.

Formal dining room: This light-drenched dining room in suburban New Jersery was transformed into a serene and comfortable space, with both luxurious elements and livability for families. Moody grasscloth wallpaper lines the entire room above the wainscoting and two aged brass lantern pendants line up with the tall windows. We added linen drapery for softness with stylish wood cube finials to coordinate with the wood of the farmhouse table and chairs. We chose a distressed wood dining table with a soft texture to will hide blemishes over time, as this is a family-family space. We kept the space neutral in tone to both allow for vibrant tablescapes during large family gatherings, and to let the many textures create visual depth. Photo Credit: Erin Coren, Curated Nest Interiors

Artichoke was asked to design a decorative solution for the bespoke kitchen and staircase in this Georgian villa. A veneered wall containing a pair of pocket sliding doors was designed in stained ash with black walnut let in to form the shadow gaps between panels. The dresser cabinet, containing crockery and glassware, is made from oak and stained to a Basalt colour to contrast with the wall panels behind. The door stiles are designed to follow the shape of the recessed handles. The long side board is divided by an oak top with a bowl carved into it. The front edge of the honed marble is mitred with a vertical front of oak that supports it. Primary materials: Painted cabinetry, stained ash and oak veneer, Nero Marquina marble.

Anna Zagorodna
Идея дизайна: столовая среднего размера в современном стиле с серыми стенами, паркетным полом среднего тона, фасадом камина из плитки и горизонтальным камином

A transitional dining room, where we incorporated the clients' antique dining table and paired it up with chairs that are a mix of upholstery and wooden accents. A traditional navy and cream rug anchors the furniture, and dark gray walls with accents of brass, mirror and some color in the artwork and accessories pull the space together.

Austin Victorian by Chango & Co. Architectural Advisement & Interior Design by Chango & Co. Architecture by William Hablinski Construction by J Pinnelli Co. Photography by Sarah Elliott

Interior - Living Room and Dining Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

Свежая идея для дизайна: отдельная столовая среднего размера в морском стиле с серыми стенами, темным паркетным полом и коричневым полом без камина - отличное фото интерьера

Vaulted ceilings in the living room, along with numerous floor to ceiling, retracting glass doors, create a feeling of openness and provide 1800 views of the Pacific Ocean. Elegant, earthy finishes include the Santos mahogany floors and Egyptian limestone. Architect: Edward Pitman Architects Builder: Allen Constrruction Photos: Jim Bartsch Photography

Established in 1895 as a warehouse for the spice trade, 481 Washington was built to last. With its 25-inch-thick base and enchanting Beaux Arts facade, this regal structure later housed a thriving Hudson Square printing company. After an impeccable renovation, the magnificent loft building’s original arched windows and exquisite cornice remain a testament to the grandeur of days past. Perfectly anchored between Soho and Tribeca, Spice Warehouse has been converted into 12 spacious full-floor lofts that seamlessly fuse Old World character with modern convenience. Steps from the Hudson River, Spice Warehouse is within walking distance of renowned restaurants, famed art galleries, specialty shops and boutiques. With its golden sunsets and outstanding facilities, this is the ideal destination for those seeking the tranquil pleasures of the Hudson River waterfront. Expansive private floor residences were designed to be both versatile and functional, each with 3 to 4 bedrooms, 3 full baths, and a home office. Several residences enjoy dramatic Hudson River views. This open space has been designed to accommodate a perfect Tribeca city lifestyle for entertaining, relaxing and working. This living room design reflects a tailored “old world” look, respecting the original features of the Spice Warehouse. With its high ceilings, arched windows, original brick wall and iron columns, this space is a testament of ancient time and old world elegance. The dining room is a combination of interesting textures and unique pieces which create a inviting space. The elements are: industrial fabric jute bags framed wall art pieces, an oversized mirror handcrafted from vintage wood planks salvaged from boats, a double crank dining table featuring an industrial aesthetic with a unique blend of iron and distressed mango wood, comfortable host and hostess dining chairs in a tan linen, solid oak chair with Cain seat which combine the rustic charm of an old French Farmhouse with an industrial look. Last, the accents such as the antler candleholders and the industrial pulley double pendant antique light really complete the old world look we were after to honor this property’s past. Photography: Francis Augustine

The built-in banquette frames and showcases the client’s treasured leaded glass triptych as it surrounds a hammered copper breakfast table with a steel base. The built-in banquette frames and showcases the client’s treasured leaded glass triptych as it surrounds a hammered copper breakfast tabletop. A Bonisolli Photography