Пример оригинального дизайна: лестница на больцах в стиле ретро с деревянными ступенями и стеклянными перилами без подступенок

Стильный дизайн: угловая лестница среднего размера в классическом стиле с деревянными ступенями, крашенными деревянными подступенками и деревянными перилами - последний тренд

Stair case with black painted handrail and newell post and also stair risers painted black.
Идея дизайна: лестница в классическом стиле с деревянными ступенями и крашенными деревянными подступенками

Пример оригинального дизайна: лестница среднего размера в современном стиле с деревянными ступенями, крашенными деревянными подступенками и деревянными перилами

A Scandinavian Minimalist staircase in this Shorewood, Minnesota home features a simple black metal guardrail, muted finish palette, varying height pendants over the entryway below, and vaulted ceilings.

Tradition Homes, voted Best Builder in 2013, allowed us to bring their vision to life in this gorgeous and authentic modern home in the heart of Arlington; Century Stair went beyond aesthetics by using durable materials and applying excellent craft and precision throughout the design, build and installation process. This iron & wood post-to-post staircase contains the following parts: satin black (5/8" radius) tubular balusters, ebony-stained (Duraseal), 3 1/2 x 3 1/2" square oak newels with chamfered tops, poplar stringers, 1" square/contemporary oak treads, and ebony-stained custom hand rails. CSC 1976-2020 © Century Stair Company. ® All rights reserved.

Идея дизайна: большая лестница на больцах в современном стиле с деревянными ступенями и стеклянными перилами без подступенок

Photography by Brad Knipstein
На фото: большая угловая деревянная лестница в стиле неоклассика (современная классика) с деревянными ступенями и металлическими перилами

На фото: угловая лестница среднего размера в стиле неоклассика (современная классика) с деревянными ступенями, крашенными деревянными подступенками и перилами из смешанных материалов

Internal - Floating Staircase Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

Ricken Desai Photography
Идея дизайна: угловая лестница в современном стиле с деревянными ступенями и стеклянными перилами без подступенок

Photography by Aidin Mariscal
На фото: п-образная деревянная лестница среднего размера в стиле ретро с деревянными ступенями и стеклянными перилами с

Brent Rivers Photography
Пример оригинального дизайна: прямая лестница среднего размера в классическом стиле с деревянными ступенями и перилами из смешанных материалов

Свежая идея для дизайна: большая п-образная деревянная лестница в стиле модернизм с деревянными ступенями и перилами из смешанных материалов - отличное фото интерьера

Пример оригинального дизайна: угловая деревянная лестница среднего размера в современном стиле с деревянными ступенями и металлическими перилами

На фото: большая п-образная лестница в морском стиле с деревянными ступенями, крашенными деревянными подступенками и деревянными перилами с

На фото: прямая лестница среднего размера в классическом стиле с деревянными ступенями, крашенными деревянными подступенками и деревянными перилами

The stair has steel structure and laser-cut steel railings. The treads are solid oak. The railing design is based on hand-drawn ink brush lines. Photo: Benjamin Benschneider

Haris Kenjar
Источник вдохновения для домашнего уюта: угловая лестница среднего размера в стиле фьюжн с деревянными ступенями, крашенными деревянными подступенками и деревянными перилами