Robert Miller Photography
Пример оригинального дизайна: большой, трехэтажный, синий частный загородный дом в стиле кантри с облицовкой из ЦСП, крышей из гибкой черепицы, двускатной крышей и серой крышей

Katherine Jackson Architectural Photography
Стильный дизайн: трехэтажный, деревянный, серый частный загородный дом среднего размера в стиле неоклассика (современная классика) с двускатной крышей и крышей из гибкой черепицы - последний тренд

The large angled garage, double entry door, bay window and arches are the welcoming visuals to this exposed ranch. Exterior thin veneer stone, the James Hardie Timberbark siding and the Weather Wood shingles accented by the medium bronze metal roof and white trim windows are an eye appealing color combination. Impressive double transom entry door with overhead timbers and side by side double pillars. (Ryan Hainey)

Свежая идея для дизайна: большой, двухэтажный, белый частный загородный дом в стиле кантри с комбинированной облицовкой, двускатной крышей и крышей из гибкой черепицы - отличное фото интерьера

Пример оригинального дизайна: большой, двухэтажный, белый частный загородный дом в стиле неоклассика (современная классика) с комбинированной облицовкой, двускатной крышей и крышей из гибкой черепицы

http://www.blvdphoto.com/

This exterior showcases a beautiful blend of creamy white and taupe colors on brick. The color scheme exudes a timeless elegance, creating a sophisticated and inviting façade. One of the standout features is the striking angles on the roofline, adding a touch of architectural interest and modern flair to the design. The windows not only enhance the overall aesthetics but also offer picturesque views and a sense of openness.

Front elevation of the design. Materials include: random rubble stonework with cornerstones, traditional lap siding at the central massing, standing seam metal roof with wood shingles (Wallaba wood provides a 'class A' fire rating).

Front exterior of model home
Пример оригинального дизайна: одноэтажный, белый частный загородный дом с комбинированной облицовкой и серой крышей

Front Elevation
Стильный дизайн: двухэтажный, деревянный, бежевый частный загородный дом среднего размера с вальмовой крышей, крышей из гибкой черепицы, отделкой дранкой и черной крышей - последний тренд

На фото: одноэтажный, кирпичный, белый частный загородный дом в стиле неоклассика (современная классика) с двускатной крышей, крышей из гибкой черепицы и серой крышей

На фото: одноэтажный, белый частный загородный дом среднего размера в стиле неоклассика (современная классика) с комбинированной облицовкой, двускатной крышей и черепичной крышей

Пример оригинального дизайна: двухэтажный, кирпичный, белый частный загородный дом среднего размера с крышей из гибкой черепицы

Пример оригинального дизайна: большой, двухэтажный, деревянный, белый частный загородный дом в стиле кантри с вальмовой крышей и крышей из гибкой черепицы

Источник вдохновения для домашнего уюта: большой, двухэтажный, белый частный загородный дом в стиле кантри с комбинированной облицовкой, двускатной крышей и крышей из гибкой черепицы

На фото: большой, двухэтажный, белый дом с облицовкой из цементной штукатурки с

Exterior - Front Entry Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

The open space plan on the main level of the Prairie Style home is deceiving of the actual separation of spaces. This home packs a punch with a private hot tub, craft room, library, and even a theater. The interior of the home features the same attention to place, as the natural world is evident in the use of granite, basalt, walnut, poplar, and natural river rock throughout. Floor to ceiling windows in strategic locations eliminates the sense of compression on the interior, while the overall window design promotes natural daylighting and cross-ventilation in nearly every space of the home. Glo’s A5 Series in double pane was selected for the high performance values and clean, minimal frame profiles. High performance spacers, double pane glass, multiple air seals, and a larger continuous thermal break combine to reduce convection and eliminate condensation, ultimately providing energy efficiency and thermal performance unheard of in traditional aluminum windows. The A5 Series provides smooth operation and long-lasting durability without sacrificing style for this Prairie Style home.

Пример оригинального дизайна: двухэтажный, кирпичный, белый частный загородный дом в классическом стиле с крышей из гибкой черепицы