Кухня отделена перегородкой в стиле лофт, которая идеально сочетается с элементами классики: подвесной люстрой на потолке, картинами в классических рамах. Остров предназначен для быстрого примам пищи и завтраков.

Jacob Snavely
На фото: параллельная кухня среднего размера в современном стиле с плоскими фасадами, белыми фасадами, столешницей из акрилового камня, белым фартуком, техникой из нержавеющей стали, серым полом, врезной мойкой, полуостровом, обеденным столом, фартуком из стекла, полом из винила и белой столешницей

The U-shape kitchen in Fenix, Midnight Blue, and Synthia, Limes Oak enabled the client to retain a dining table and entertaining space. A purposefully placed parapet discreetly conceals the kitchen's working area and hob when approaching from the hallway. The Vero cabinet's soft lighting and the play on heights are a modern interpretation of a traditional dresser, creating an ambience and space for a choice of personalised ornaments. Additionally, the midi cabinet provided additional storage. The result was a playfully bright kitchen in the daylight and an atmospherically enticing kitchen at night.

Свежая идея для дизайна: угловая, отдельная кухня среднего размера в современном стиле с врезной мойкой, фасадами в стиле шейкер, фасадами цвета дерева среднего тона, белым фартуком, фартуком из каменной плиты, техникой под мебельный фасад, светлым паркетным полом, островом, бежевым полом, белой столешницей, столешницей из акрилового камня и двухцветным гарнитуром - отличное фото интерьера

Modern kitchen design with layered materials and textures. Image: Nicole England
Идея дизайна: параллельная кухня среднего размера в современном стиле с врезной мойкой, светлыми деревянными фасадами, столешницей из акрилового камня, белым фартуком, фартуком из мрамора, техникой из нержавеющей стали, светлым паркетным полом и островом

На фото: огромная прямая кухня в стиле модернизм с обеденным столом, врезной мойкой, плоскими фасадами, черными фасадами, столешницей из акрилового камня, черной техникой, светлым паркетным полом и островом с

Пример оригинального дизайна: п-образная кухня среднего размера в классическом стиле с обеденным столом, врезной мойкой, фасадами в стиле шейкер, белыми фасадами, столешницей из акрилового камня, белым фартуком, фартуком из плитки кабанчик, техникой из нержавеющей стали, темным паркетным полом и полуостровом

This space had the potential for greatness but was stuck in the 1980's era. We were able to transform and re-design this kitchen that now enables it to be called not just a "dream Kitchen", but also holds the award for "Best Kitchen in Westchester for 2016 by Westchester Home Magazine". Features in the kitchen are as follows: Inset cabinet construction, Maple Wood, Onyx finish, Raised Panel Door, sliding ladder, huge Island with seating, pull out drawers for big pots and baking pans, pullout storage under sink, mini bar, overhead television, builtin microwave in Island, massive stainless steel range and hood, Office area, Quartz counter top.

This home was a sweet 30's bungalow in the West Hollywood area. We flipped the kitchen and the dining room to allow access to the ample backyard. The design of the space was inspired by Manhattan's pre war apartments, refined and elegant.

Photo by Rod Foster
Стильный дизайн: большая угловая кухня в стиле неоклассика (современная классика) с белыми фасадами, столешницей из акрилового камня, серым фартуком, фартуком из каменной плитки, техникой из нержавеющей стали, с полувстраиваемой мойкой (с передним бортиком), обеденным столом, светлым паркетным полом, островом, бежевым полом и фасадами с утопленной филенкой - последний тренд

See https://blackandmilk.co.uk/interior-design-portfolio/ for more details.

Cuisine ouverte sur la pièce de vie avec coin repas.
На фото: прямая кухня-гостиная среднего размера в средиземноморском стиле с врезной мойкой, фасадами с декоративным кантом, темными деревянными фасадами, столешницей из акрилового камня, белым фартуком, фартуком из кварцевого агломерата, техникой под мебельный фасад, светлым паркетным полом и белой столешницей без острова с

Cuisine sur-mesure en chêne, avec tasseaux arrondis. Credence en zellige. Plan de travail et dekton (céramique). Le meuble situé sous la fenetre abrite une l’unité centrale de la pompe à chaleur (chauffage et refroidissement des pièces). Contre le mur, une partie de l’ilot est montée sur roulettes et se déplace pour acceder à l’escalier de service.

Пример оригинального дизайна: маленькая угловая кухня-гостиная в современном стиле с двойной мойкой, плоскими фасадами, серыми фасадами, столешницей из акрилового камня, бежевым фартуком, фартуком из керамической плитки, техникой из нержавеющей стали, светлым паркетным полом и островом для на участке и в саду

Источник вдохновения для домашнего уюта: маленькая п-образная кухня-гостиная в современном стиле с монолитной мойкой, плоскими фасадами, бежевыми фасадами, столешницей из акрилового камня, белым фартуком, черной техникой, светлым паркетным полом и желтой столешницей без острова для на участке и в саду

A stunning breakfasting kitchen within a wonderful, recently extended home. finished in dark steel perfect matt with natural Halifax oak accent, cabinetry and handleless trim detailing in satin gold. Dekton Soke worksurfaces provides the perfect contrast to cabinetry and the beautiful sinks finished in gold brass. Last but not least, the entertaining bar area, displaying our clients love for the water of life…

Amos Goldreich Architecture has completed an asymmetric brick extension that celebrates light and modern life for a young family in North London. The new layout gives the family distinct kitchen, dining and relaxation zones, and views to the large rear garden from numerous angles within the home. The owners wanted to update the property in a way that would maximise the available space and reconnect different areas while leaving them clearly defined. Rather than building the common, open box extension, Amos Goldreich Architecture created distinctly separate yet connected spaces both externally and internally using an asymmetric form united by pale white bricks. Previously the rear plan of the house was divided into a kitchen, dining room and conservatory. The kitchen and dining room were very dark; the kitchen was incredibly narrow and the late 90’s UPVC conservatory was thermally inefficient. Bringing in natural light and creating views into the garden where the clients’ children often spend time playing were both important elements of the brief. Amos Goldreich Architecture designed a large X by X metre box window in the centre of the sitting room that offers views from both the sitting area and dining table, meaning the clients can keep an eye on the children while working or relaxing. Amos Goldreich Architecture enlivened and lightened the home by working with materials that encourage the diffusion of light throughout the spaces. Exposed timber rafters create a clever shelving screen, functioning both as open storage and a permeable room divider to maintain the connection between the sitting area and kitchen. A deep blue kitchen with plywood handle detailing creates balance and contrast against the light tones of the pale timber and white walls. The new extension is clad in white bricks which help to bounce light around the new interiors, emphasise the freshness and newness, and create a clear, distinct separation from the existing part of the late Victorian semi-detached London home. Brick continues to make an impact in the patio area where Amos Goldreich Architecture chose to use Stone Grey brick pavers for their muted tones and durability. A sedum roof spans the entire extension giving a beautiful view from the first floor bedrooms. The sedum roof also acts to encourage biodiversity and collect rainwater. Continues Amos Goldreich, Director of Amos Goldreich Architecture says: “The Framework House was a fantastic project to work on with our clients. We thought carefully about the space planning to ensure we met the brief for distinct zones, while also keeping a connection to the outdoors and others in the space. “The materials of the project also had to marry with the new plan. We chose to keep the interiors fresh, calm, and clean so our clients could adapt their future interior design choices easily without the need to renovate the space again.” Clients, Tom and Jennifer Allen say: “I couldn’t have envisioned having a space like this. It has completely changed the way we live as a family for the better. We are more connected, yet also have our own spaces to work, eat, play, learn and relax.” “The extension has had an impact on the entire house. When our son looks out of his window on the first floor, he sees a beautiful planted roof that merges with the garden.”

Do you see it? Hidden behind doors that look like cabinetry (when closed) is a generous walk-in pantry.
Идея дизайна: огромная угловая кухня в стиле неоклассика (современная классика) с кладовкой, с полувстраиваемой мойкой (с передним бортиком), фасадами в стиле шейкер, белыми фасадами, столешницей из акрилового камня, белым фартуком, фартуком из керамогранитной плитки, техникой из нержавеющей стали, светлым паркетным полом, двумя и более островами, коричневым полом, белой столешницей и многоуровневым потолком

Nearly two decades ago now, Susan and her husband put a letter in the mailbox of this eastside home: "If you have any interest in selling, please reach out." But really, who would give up a Flansburgh House? Fast forward to 2020, when the house went on the market! By then it was clear that three children and a busy home design studio couldn't be crammed into this efficient footprint. But what's second best to moving into your dream home? Being asked to redesign the functional core for the family that was. In this classic Flansburgh layout, all the rooms align tidily in a square around a central hall and open air atrium. As such, all the spaces are both connected to one another and also private; and all allow for visual access to the outdoors in two directions—toward the atrium and toward the exterior. All except, in this case, the utilitarian galley kitchen. That space, oft-relegated to second class in midcentury architecture, got the shaft, with narrow doorways on two ends and no good visual access to the atrium or the outside. Who spends time in the kitchen anyway? As is often the case with even the very best midcentury architecture, the kitchen at the Flansburgh House needed to be modernized; appliances and cabinetry have come a long way since 1970, but our culture has evolved too, becoming more casual and open in ways we at SYH believe are here to stay. People (gasp!) do spend time—lots of time!—in their kitchens! Nonetheless, our goal was to make this kitchen look as if it had been designed this way by Earl Flansburgh himself. The house came to us full of bold, bright color. We edited out some of it (along with the walls it was on) but kept and built upon the stunning red, orange and yellow closet doors in the family room adjacent to the kitchen. That pop was balanced by a few colorful midcentury pieces that our clients already owned, and the stunning light and verdant green coming in from both the atrium and the perimeter of the house, not to mention the many skylights. Thus, the rest of the space just needed to quiet down and be a beautiful, if neutral, foil. White terrazzo tile grounds custom plywood and black cabinetry, offset by a half wall that offers both camouflage for the cooking mess and also storage below, hidden behind seamless oak tambour. Contractor: Rusty Peterson Cabinetry: Stoll's Woodworking Photographer: Sarah Shields