Interior - Living Room and Dining Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

Family Room
Идея дизайна: открытая гостиная комната среднего размера в стиле модернизм с бежевыми стенами, светлым паркетным полом, стандартным камином, фасадом камина из бетона, мультимедийным центром и бежевым полом

Sean Airhart
На фото: гостиная комната в современном стиле с фасадом камина из бетона, бетонным полом, серыми стенами, стандартным камином и мультимедийным центром с

Пример оригинального дизайна: открытая гостиная комната среднего размера в современном стиле с бежевыми стенами, паркетным полом среднего тона, стандартным камином, фасадом камина из бетона, мультимедийным центром и коричневым полом

Photographer: David Whittaker
Идея дизайна: большая открытая гостиная комната в современном стиле с белыми стенами, бетонным полом, стандартным камином, фасадом камина из бетона и мультимедийным центром

На фото: гостиная комната в стиле неоклассика (современная классика) с белыми стенами, стандартным камином, фасадом камина из бетона и мультимедийным центром с

Источник вдохновения для домашнего уюта: большая парадная, изолированная гостиная комната в средиземноморском стиле с белыми стенами, паркетным полом среднего тона, стандартным камином, фасадом камина из бетона, мультимедийным центром и коричневым полом

Caleb Vandermeer Photography
Идея дизайна: большая открытая гостиная комната в скандинавском стиле с белыми стенами, угловым камином, фасадом камина из бетона, мультимедийным центром, темным паркетным полом, серым полом и ковром на полу

This extension of a 100-year old cottage in beautiful, pastoral Little Compton created a comfortable, cozy environment for domestic life and entertaining – spaces that are as unpretentious as the simple original building. Unique elements include bluestone countertops and hearth slab, custom vessel sinks and tiles created by the owner – a talented ceramic artist, a freestanding two-way hearth, salvaged antique doors and hardware, interior sliding barn doors and custom walnut casework.

Источник вдохновения для домашнего уюта: большая открытая гостиная комната в стиле модернизм с домашним баром, белыми стенами, полом из керамической плитки, стандартным камином, фасадом камина из бетона, мультимедийным центром, потолком из вагонки и стенами из вагонки

Description: In early 1994, the architects began work on the project and while in construction (demolition, grading and foundations) the owner, due to circumstances beyond his control, halted all construction of the project. Seven years later the owner returned to the architects and asked them to complete the partially constructed house. Due to code changes, city ordinances and a wide variety of obstacles it was determined that the house was unable to be completed as originally designed. After much consideration the client asked the architect if it were possible to alter/remodel the partially constructed house, which was a remodel/addition to a 1970’s ranch style house, into a project that fit into current zoning and structural codes. The owner also requested that the house’s footprint and partially constructed foundations remain to avoid the need for further entitlements and delays on an already long overdue and difficult hillside site. The architects’ main challenge was how to alter the design that reflected an outdated philosophical approach to architecture that was nearly a decade old. How could the house be re-conceived reflecting the architect and client’s maturity on a ten-year-old footprint? The answer was to remove almost all of the previously proposed existing interior walls and transform the existing footprint into a pavilion-like structure that allows the site to in a sense “pass through the house”. This allowed the client to take better advantage of a limited and restricted building area while capturing extraordinary panoramic views of the San Fernando Valley and Hollywood Hills. Large 22-foot high custom sliding glass doors allow the interior and exterior to become one. Even the studio is separated from the house and connected only by an exterior bridge. Private spaces are treated as loft-like spaces capturing volume and views while maintaining privacy. Limestone floors extend from inside to outside and into the lap pool that runs the entire length of the house creating a horizon line at the edge of the view. Other natural materials such as board formed concrete, copper, steel and cherry provides softness to the objects that seem to float within the interior volume. By placing objects and materials "outside the frame," a new frame of reference deepens our sense of perception. Art does not reproduce what we see; rather it makes us see.

This beautiful Spanish Colonial on the lake in Pablo Creek Reserve is nearly 4000 SF and consists of four bedrooms, five and a half bathrooms and a 'flex room' that can be used as a study or fifth bedroom. Architectural authentic, this home includes an open floor plan ideal for entertaining. An extensive lanai with summer kitchen brings the outdoors in. Ceiling treatments include coffered ceilings in the great room and dining room and barrel vaults in the kitchen and master bath. Thermador appliances, Kohler and Waterworks plumbing fixtures and wood beams bring functionality and character to the home.

www.ericrorer.com/
Идея дизайна: открытая гостиная комната среднего размера в современном стиле с фасадом камина из бетона, белыми стенами, паркетным полом среднего тона, горизонтальным камином, мультимедийным центром и ковром на полу

Пример оригинального дизайна: большая открытая гостиная комната в современном стиле с паркетным полом среднего тона, стандартным камином, фасадом камина из бетона и мультимедийным центром

JJ Ortega www.jjrealestatephotography.com
На фото: огромная открытая гостиная комната в стиле неоклассика (современная классика) с бежевыми стенами, темным паркетным полом, стандартным камином, фасадом камина из бетона и мультимедийным центром

Стильный дизайн: большая парадная, открытая гостиная комната в современном стиле с бежевыми стенами, паркетным полом среднего тона, двусторонним камином, фасадом камина из бетона и мультимедийным центром - последний тренд

Идея дизайна: двухуровневая гостиная комната среднего размера в современном стиле с серыми стенами, темным паркетным полом, мультимедийным центром, стандартным камином и фасадом камина из бетона

Источник вдохновения для домашнего уюта: большая парадная, открытая гостиная комната в современном стиле с бежевыми стенами, паркетным полом среднего тона, двусторонним камином, фасадом камина из бетона и мультимедийным центром

Стильный дизайн: большая открытая, парадная гостиная комната в стиле неоклассика (современная классика) с белыми стенами, светлым паркетным полом, стандартным камином, фасадом камина из бетона, мультимедийным центром и коричневым полом - последний тренд