Пример оригинального дизайна: большой, двухэтажный, белый частный загородный дом в скандинавском стиле с облицовкой из цементной штукатурки, двускатной крышей, металлической крышей и черной крышей

写真：大槻茂 築４０年の古家をスケルトンリフォームした事務所兼用住宅。建物ボリュームを小さくし、切妻を片流れ屋根に変更して、太陽光発電パネルと太陽熱温水器、トップライトを設置。18kWhの鉛蓄電池によって、電力会社の電線をひかない「オフグリッド」を実現した。当面はガスも引かずに、コンロはIH、給湯器はなく、太陽熱の温水のみで年間７割以上の入浴・シャワーが可能。雨水タンクや井戸水など、水の有効利用をはかりつつ、木質バイオマスの無電力ペレットストーブを採用して「完全CO2排出ゼロ」の事務所を実現した。

I built this on my property for my aging father who has some health issues. Handicap accessibility was a factor in design. His dream has always been to try retire to a cabin in the woods. This is what he got. It is a 1 bedroom, 1 bath with a great room. It is 600 sqft of AC space. The footprint is 40' x 26' overall. The site was the former home of our pig pen. I only had to take 1 tree to make this work and I planted 3 in its place. The axis is set from root ball to root ball. The rear center is aligned with mean sunset and is visible across a wetland. The goal was to make the home feel like it was floating in the palms. The geometry had to simple and I didn't want it feeling heavy on the land so I cantilevered the structure beyond exposed foundation walls. My barn is nearby and it features old 1950's "S" corrugated metal panel walls. I used the same panel profile for my siding. I ran it vertical to math the barn, but also to balance the length of the structure and stretch the high point into the canopy, visually. The wood is all Southern Yellow Pine. This material came from clearing at the Babcock Ranch Development site. I ran it through the structure, end to end and horizontally, to create a seamless feel and to stretch the space. It worked. It feels MUCH bigger than it is. I milled the material to specific sizes in specific areas to create precise alignments. Floor starters align with base. Wall tops adjoin ceiling starters to create the illusion of a seamless board. All light fixtures, HVAC supports, cabinets, switches, outlets, are set specifically to wood joints. The front and rear porch wood has three different milling profiles so the hypotenuse on the ceilings, align with the walls, and yield an aligned deck board below. Yes, I over did it. It is spectacular in its detailing. That's the benefit of small spaces. Concrete counters and IKEA cabinets round out the conversation. For those who could not live in a tiny house, I offer the Tiny-ish House. Photos by Ryan Gamma Staging by iStage Homes Design assistance by Jimmy Thornton

На фото: двухэтажный, серый частный загородный дом среднего размера в скандинавском стиле с комбинированной облицовкой и металлической крышей с

На фото: большой, двухэтажный, белый частный загородный дом в скандинавском стиле с облицовкой из цементной штукатурки, вальмовой крышей, металлической крышей и черной крышей

A single-story ranch house in Austin received a new look with a two-story addition, limewashed brick, black architectural windows, and new landscaping.

Стильный дизайн: одноэтажный, деревянный частный загородный дом среднего размера в скандинавском стиле с двускатной крышей и металлической крышей - последний тренд

A simple iconic design that both meets Passive House requirements and provides a visually striking home for a young family. This house is an example of design and sustainability on a smaller scale. The connection with the outdoor space is central to the design and integrated into the substantial wraparound structure that extends from the front to the back. The extensions provide shelter and invites flow into the backyard. Emphasis is on the family spaces within the home. The combined kitchen, living and dining area is a welcoming space featuring cathedral ceilings and an abundance of light.

На фото: маленький, двухэтажный, деревянный, черный частный загородный дом в скандинавском стиле с двускатной крышей и металлической крышей для на участке и в саду

Пример оригинального дизайна: деревянный частный загородный дом в скандинавском стиле с двускатной крышей и металлической крышей

シャープな印象を与える特徴的な片流れ屋根のフォルム。通りに面する窓の数は減らしたり、小さくしたりすることで、プライバシーに配慮しています。
Источник вдохновения для домашнего уюта: двухэтажный, белый частный загородный дом среднего размера в скандинавском стиле с комбинированной облицовкой, односкатной крышей и металлической крышей

基本設計・照明設計・設備設計・収納設計・家具設計・インテリアデザイン：堀口 理恵
Свежая идея для дизайна: двухэтажный, белый дуплекс среднего размера в скандинавском стиле с двускатной крышей и металлической крышей - отличное фото интерьера

Источник вдохновения для домашнего уюта: маленький, одноэтажный, деревянный, серый частный загородный дом в скандинавском стиле с двускатной крышей и металлической крышей для на участке и в саду

На фото: большой, двухэтажный, черный частный загородный дом в скандинавском стиле с комбинированной облицовкой, металлической крышей и отделкой доской с нащельником

「家の顔」といえる玄関までのアプローチ。四季折々の表情を見せてくれるので、毎日家に帰るのがもっと楽しみになります。
На фото: двухэтажный, белый частный загородный дом среднего размера в скандинавском стиле с комбинированной облицовкой, двускатной крышей, металлической крышей и серой крышей

The Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops. The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space. The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town. The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months. Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay. Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather. In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through. The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.

The Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops. The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space. The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town. The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months. Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay. Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather. In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through. The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.

C'est le retour en force de la maison blanche. La résidence Gilbert Poulin a tout de celle-ci: des lignes minimaliste, un décor très épuré et bien sûr l’omniprésence du blanc rappelle le style scandinave.

Пример оригинального дизайна: трехэтажный, деревянный, серый частный загородный дом среднего размера в скандинавском стиле с двускатной крышей и металлической крышей