На фото: дом в скандинавском стиле

Пример оригинального дизайна: белый дом в скандинавском стиле с разными уровнями и облицовкой из цементной штукатурки

Свежая идея для дизайна: дом в скандинавском стиле - отличное фото интерьера

「家の顔」といえる玄関までのアプローチ。四季折々の表情を見せてくれるので、毎日家に帰るのがもっと楽しみになります。
На фото: двухэтажный, белый частный загородный дом среднего размера в скандинавском стиле с комбинированной облицовкой, двускатной крышей, металлической крышей и серой крышей

Single Story ranch house with stucco and wood siding painted black.
Пример оригинального дизайна: одноэтажный, черный частный загородный дом среднего размера в скандинавском стиле с облицовкой из цементной штукатурки, двускатной крышей, крышей из гибкой черепицы, черной крышей и отделкой планкеном

Lauren Smyth designs over 80 spec homes a year for Alturas Homes! Last year, the time came to design a home for herself. Having trusted Kentwood for many years in Alturas Homes builder communities, Lauren knew that Brushed Oak Whisker from the Plateau Collection was the floor for her! She calls the look of her home ‘Ski Mod Minimalist’. Clean lines and a modern aesthetic characterizes Lauren's design style, while channeling the wild of the mountains and the rivers surrounding her hometown of Boise.

Пример оригинального дизайна: дом в скандинавском стиле

На фото: дом в скандинавском стиле с

На фото: двухэтажный, белый частный загородный дом среднего размера в скандинавском стиле с комбинированной облицовкой и полувальмовой крышей

The Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops. The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space. The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town. The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months. Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay. Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather. In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through. The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.

C'est le retour en force de la maison blanche. La résidence Gilbert Poulin a tout de celle-ci: des lignes minimaliste, un décor très épuré et bien sûr l’omniprésence du blanc rappelle le style scandinave.

Идея дизайна: деревянный, коричневый частный загородный дом среднего размера в скандинавском стиле с разными уровнями, двускатной крышей и черепичной крышей

I built this on my property for my aging father who has some health issues. Handicap accessibility was a factor in design. His dream has always been to try retire to a cabin in the woods. This is what he got. It is a 1 bedroom, 1 bath with a great room. It is 600 sqft of AC space. The footprint is 40' x 26' overall. The site was the former home of our pig pen. I only had to take 1 tree to make this work and I planted 3 in its place. The axis is set from root ball to root ball. The rear center is aligned with mean sunset and is visible across a wetland. The goal was to make the home feel like it was floating in the palms. The geometry had to simple and I didn't want it feeling heavy on the land so I cantilevered the structure beyond exposed foundation walls. My barn is nearby and it features old 1950's "S" corrugated metal panel walls. I used the same panel profile for my siding. I ran it vertical to math the barn, but also to balance the length of the structure and stretch the high point into the canopy, visually. The wood is all Southern Yellow Pine. This material came from clearing at the Babcock Ranch Development site. I ran it through the structure, end to end and horizontally, to create a seamless feel and to stretch the space. It worked. It feels MUCH bigger than it is. I milled the material to specific sizes in specific areas to create precise alignments. Floor starters align with base. Wall tops adjoin ceiling starters to create the illusion of a seamless board. All light fixtures, HVAC supports, cabinets, switches, outlets, are set specifically to wood joints. The front and rear porch wood has three different milling profiles so the hypotenuse on the ceilings, align with the walls, and yield an aligned deck board below. Yes, I over did it. It is spectacular in its detailing. That's the benefit of small spaces. Concrete counters and IKEA cabinets round out the conversation. For those who could not live in a tiny house, I offer the Tiny-ish House. Photos by Ryan Gamma Staging by iStage Homes Design assistance by Jimmy Thornton

Fotograf: Jens Schumann Der vielsagende Name „Black Beauty“ lag den Bauherren und Architekten nach Fertigstellung des anthrazitfarbenen Fassadenputzes auf den Lippen. Zusammen mit den ausgestülpten Fensterfaschen in massivem Lärchenholz ergibt sich ein reizvolles Spiel von Farbe und Material, Licht und Schatten auf der Fassade in dem sonst eher unauffälligen Straßenzug in Berlin-Biesdorf. Das ursprünglich beige verklinkerte Fertighaus aus den 90er Jahren sollte den Bedürfnissen einer jungen Familie angepasst werden. Sie leitet ein erfolgreiches Internet-Startup, Er ist Ramones-Fan und -Sammler, Moderator und Musikjournalist, die Tochter ist gerade geboren. So modern und unkonventionell wie die Bauherren sollte auch das neue Heim werden. Eine zweigeschossige Galeriesituation gibt dem Eingangsbereich neue Großzügigkeit, die Zusammenlegung von Räumen im Erdgeschoss und die Neugliederung im Obergeschoss bieten eindrucksvolle Durchblicke und sorgen für Funktionalität, räumliche Qualität, Licht und Offenheit. Zentrale Gestaltungselemente sind die auch als Sitzgelegenheit dienenden Fensterfaschen, die filigranen Stahltüren als Sonderanfertigung sowie der ebenso zum industriellen Charme der Türen passende Sichtestrich-Fußboden. Abgerundet wird der vom Charakter her eher kraftvolle und cleane industrielle Stil durch ein zartes Farbkonzept in Blau- und Grüntönen Skylight, Light Blue und Dix Blue und einer Lasurtechnik als Grundton für die Wände und kräftigere Farbakzente durch Craqueléfliesen von Golem. Ausgesuchte Leuchten und Lichtobjekte setzen Akzente und geben den Räumen den letzten Schliff und eine besondere Rafinesse. Im Außenbereich lädt die neue Stufenterrasse um den Pool zu sommerlichen Gartenparties ein.

Southern Builders is a commercial and residential builder located in the New Orleans area. We have been serving Southeast Louisiana and Mississippi since 1980, building single family homes, custom homes, apartments, condos, and commercial buildings. We believe in working close with our clients, whether as a subcontractor or a general contractor. Our success comes from building a team between the owner, the architects and the workers in the field. If your design demands that southern charm, it needs a team that will bring professional leadership and pride to your project. Southern Builders is that team. We put your interest and personal touch into the small details that bring large results.

Stefan Melchior
Пример оригинального дизайна: двухэтажный, деревянный, черный дом среднего размера в скандинавском стиле с двускатной крышей

Свежая идея для дизайна: деревянный частный загородный дом в скандинавском стиле с плоской крышей - отличное фото интерьера

Entwurf und Bau: Christian Stolz / Foto: Frank Jasper
На фото: деревянный, коричневый, большой, трехэтажный дом в скандинавском стиле с двускатной крышей

John Muggenborg
Свежая идея для дизайна: одноэтажный, деревянный дом в скандинавском стиле с двускатной крышей - отличное фото интерьера