Идея дизайна: двухэтажный, белый частный загородный дом в стиле модернизм с облицовкой из бетона и плоской крышей

Modern mountain aesthetic in this fully exposed custom designed ranch. Exterior brings together lap siding and stone veneer accents with welcoming timber columns and entry truss. Garage door covered with standing seam metal roof supported by brackets. Large timber columns and beams support a rear covered screened porch. (Ryan Hainey)

The exterior draws from mid-century elements of , floor to ceiling windows, geometric and low roof forms and elements of materials to reflect the uses behind. concrete blocks turned on their edge create a veil of privacy from the street while maintaining visual connection to the native garden to the front. Timber is used between the concrete walls in combination with timber framed windows.

Идея дизайна: большой, трехэтажный, белый частный загородный дом в современном стиле с облицовкой из бетона и плоской крышей

На фото: большой, двухэтажный, серый частный загородный дом в стиле рустика с облицовкой из бетона с

На фото: двухэтажный, серый дуплекс в современном стиле с облицовкой из бетона и плоской крышей с

Exterior - Front Entry Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

Front Exterior
Идея дизайна: одноэтажный, белый частный загородный дом среднего размера в морском стиле с вальмовой крышей, облицовкой из бетона и черепичной крышей

Ryan Bent Photography
На фото: трехэтажный, бежевый частный загородный дом среднего размера в стиле кантри с облицовкой из бетона, двускатной крышей и металлической крышей

Стильный дизайн: двухэтажный, серый частный загородный дом среднего размера в стиле модернизм с облицовкой из бетона, плоской крышей и металлической крышей - последний тренд

Vue extérieure de la maison
Свежая идея для дизайна: трехэтажный, бежевый таунхаус среднего размера в современном стиле с облицовкой из бетона, двускатной крышей и черепичной крышей - отличное фото интерьера

© Thomas Ebert, www.ebert-photo.com
Пример оригинального дизайна: одноэтажный, серый частный загородный дом среднего размера в стиле лофт с облицовкой из бетона, плоской крышей и крышей из смешанных материалов

На фото: двухэтажный, бежевый дом среднего размера в современном стиле с облицовкой из бетона и плоской крышей

На фото: большой, двухэтажный, серый дом в современном стиле с облицовкой из бетона и двускатной крышей с

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На фото: огромный, двухэтажный, серый дом в стиле модернизм с облицовкой из бетона

Источник вдохновения для домашнего уюта: огромный, двухэтажный, серый частный загородный дом в современном стиле с облицовкой из бетона и плоской крышей

HD Estates
Идея дизайна: одноэтажный, серый дом в стиле неоклассика (современная классика) с облицовкой из бетона

Идея дизайна: большой, двухэтажный, серый дом в стиле модернизм с облицовкой из бетона и двускатной крышей

Modern mountain aesthetic in this fully exposed custom designed ranch. Exterior brings together lap siding and stone veneer accents with welcoming timber columns and entry truss. Garage door covered with standing seam metal roof supported by brackets. Large timber columns and beams support a rear covered screened porch. (Ryan Hainey)